Blog Tour: A House is a Body

Synopsis

INTRODUCING A DAZZLING NEW LITERARY VOICE

In two-time O. Henry-prize winner Swamy’s debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In “Earthly Pleasures,” Radika, a young painter living alone in San Francisco, begins a secret romance with one of India’s biggest celebrities. In “A Simple Composition,” a husband’s moment of crisis leads to his wife’s discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade’s edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.

Review

A House is a Body is an intimate collection of stories that explores a range of human emotions, conditions and relationships. It is tender and riveting. The prose is simple yet searing. Even though each story embodied a different soul, together these stories came together to reveal a humanity that is full of beauty, hope and pain.

“She was like hearing your own heartbeat. If you stop for a minute and are entirely still you can hear it. All along she’s with you, but you never notice until you think to notice.”

In this passage Swamy is talking of mothers but in her intuitive way her female characters call to attention many nuanced perspectives of looking at the world.

“When he lifted his eyes to me for a moment I felt the wind knocked out: I was a bell, and he’d rung me.”

A House is a Body using electric prose and imagery to bring both the realistic and surreal alive. It is definitely worth your time to pick this book up and steep in its well of emotions.

Meet the Author

From the author’s website: “The winner of two O. Henry Awards, Shruti Swamy’s work has appeared in The Paris Review, the Kenyon Review Online, Prairie Schooner, and elsewhere. In 2012, she was Vassar College’s 50th W.K. Rose Fellow, and has been awarded residencies at the Millay Colony for the Arts, Blue Mountain Center, and Hedgebrook.

She is a Kundiman fiction fellow, a 2017 – 2018 Steinbeck Fellow at San Jose State University, and a recipient of a 2018 grant from the Elizabeth George Foundation.”

Buy Links

Blog Tour: Paris Never Leaves You

First, I would like to thank Clare Maurer and Maria Vitale at St.Martin’s Press for thinking of me when organizing this blog tour.

Synopsis

The war is over, but the past is never past …
 
Paris, 1944. Charlotte Foret is working in a tiny bookstore in Nazi-occupied Paris struggling to stay alive and keep her baby Vivi safe as the world around them is being torn apart. Every day they live through is a miracle until Vivi becomes gravely ill.  In desperation, Charlotte accepts help from an unlikely saviour – and her life is changed forever.
 
Charlotte is no victim – she is a survivor. But the truth of what happened in Paris is something she can never share with anyone, including her daughter. But can she ever really leave Paris behind – and survive the next chapter of her life?
 
Seamlessly interweaving Charlotte’s past in wartime Paris and her present in the 1950s world of New York publishing, Paris Never Leaves You is a heartbreakingly moving and unforgettable story of resilience, love – and impossible choices.

Review

Paris Never Leaves You is an historical novel about the German occupation of Paris during World War II. What stood out for me was that it showed the impact on civilians during a time of war. We see their daily struggle to get food and essentials. We understand their fears as their houses are no longer their homes, but instead commodities of war. Families are divided and move nightly to evade the German soldiers.

The effect of the war is palpable. Charlotte has lost a considerable amount of weight. Her father has fled the country. Her closest friend Simone has been arrested and her daughter Vivi is starving. And through all this a German soldier comes to her bookstore proffering food. At first she tells herself that she accepts his kindness out of necessity. Then she realizes that she has feelings for him that run deeper. She cannot admit or express how she truly feels. It seems like a betrayal. To her dead husband and to the people of Paris.

At the end of the war Charlotte and Vivi have both made it through. Their new lives in America are strained by the secrets of the past. Not only does survivor’s guilt weigh down heavily on Charlotte, but she also is ashamed of how she came to secure the life that she and Vivi now live.

I found the book slow going at first and had a hard time getting into it. When I read the blurb I thought it was going to be more about books because of the bookstore and publishing angles. However, I did appreciate learning another aspect of World War II that is rarely depicted in books. I never thought of a Jew serving in the German army or others using Jewish classification to escape war. I found this whole concept of “hiding in plain sight” intriguing and was touched by both Julian’s and Charlotte’s stories.

Meet the Author

Ellen Feldman, a 2009 Guggenheim fellow, is the author of Terrible Virtue, The Unwitting, Next to Love, Scottsboro (shortlisted for the Orange Prize), The Boy Who Loved Anne Frank (translated into nine languages), and Lucy. Her last novel, Terrible Virtue, was optioned by Black Bicycle for a feature film.

Ellen has lectured extensively around the country and in Germany and England, and enjoys talking to book groups in person, on the phone, or via the web.

She grew up in northern New Jersey and attended Bryn Mawr College, from which she holds a B.A. and an M.A. in modern history. After further graduate studies at Columbia University, she worked for a New York publishing house.

Ellen lives in New York City and East Hampton, New York, with her husband and a terrier named Charlie.

Where You Can Find Ellen

Buy Links

Blog Tour: Hieroglyphics

Synopsis

Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically—lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely.

Now, after many years in Boston, they have retired in North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d rather forget. Because, after all, not all parents are ones you wish to remember.

Hieroglyphics reveals the difficulty of ever really knowing the intentions and dreams and secrets of the people who raised you. In her deeply layered and masterful novel, Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and what it means to be a child piecing together the world all around us, a child learning to make sense of the hieroglyphics of history and memory.


Review

Hieroglyphics opens as a character study of three generations of people not necessarily connected by family, but related by home. Lil and Frank are an older couple returning to their hometown in the winter of their lives. Shelley is a single mother of two boys Jason and Harvey. She and Harvey live alone in Frank’s childhood home.

We get a very good sense of Lil through her collection of letters and odd bits of history that she leaves about the house. Of all the characters her voice was the one resonated with me the most. I felt nostalgic at times even though she is not of my generation nor is her story my story. I was just pulled in by the love that she showed her family, her inner strength and her loyalty.

Frank is an archaeologist who investigates “graves and caves” in search of clues of long gone civilizations. But the past that he is really trying to decipher is his own.

Shelley works as a stenographer who is beset by the current case that she is transcribing. It is a high profile murder case where she over identifies with the victim. As she listens to testimony it triggers flashbacks of her past traumas. This intense anxiety is causing her to reflect on different aspects of her life. Not only forcing her to revisit her mistakes of the past, but to also reevaluate her decisions as a parent.

Poor Harvey thinks their home is haunted. There is a ghost that lingers at night and causes him to wet the bed. He has a vivid imagination. When he puts on one of his fake mustaches he could be either a sentient adult or a superhero known as Super Monkey. His superpower is that he can talk serial killers out of doing wrong and turn them onto the path of all that is moral and good. All of these are symptoms of his overriding fears – his sensitivity over his cleft lip, his abandonment by his father and his awareness of his mother’s grief and distress.

When I was a student I found that picking a title that encapsulated the heart of my story was perhaps one of the hardest tasks of writing. So now as an adult whenever I read a book I try to figure out why the author chose the title and its significance. After reading Hieroglyphics I came up with two justifications for the name.

Hieroglyphics are an ancient code of pictures that tell a story. Each of the characters encode their experiences. Shelley uses shorthand while transcribing her cases. Harvey and his brother trade secrets in Klingon. Lil reminisces over her mother’s unique sort of jargon. She and Frank share secret words so if one dies first they can “send messages” through the living.

Hieroglyphics are a language that informs the past. Here the past can be bittersweet with characters at times examining their lives through experiences of death and catastrophe. As Lil helps her daughter prepare for her wedding she is reminded of her own. Although her own mother was taken before she wed Frank she feels blessed to share this moment with her daughter and remembers how tragedy brought her and Frank together.

Take your time reading this book. It is subtle. It is sublime. If I had to sum Hieroglyphics up in one sentence I would say that it was a heartfelt, bittersweet examination of the legacy we leave behind for those we love. Highly recommend.


Meet the Author

Jill McCorkle’s first two novels were released simultaneously when she was just out of college, and the New York Times called her “a born novelist.” Since then, she has published six novels and four collections of short stories, and her work has appeared in Best American Short Stories several times, as well as The Norton Anthology of Short Fiction. Five of her books have been New York Times Notable books, and her most recent novel, Life After Life, was a New York Times bestseller. She has received the New England Booksellers Award, the John Dos Passos Prize for Excellence in Literature, and the North Carolina Award for Literature. She has written for the New York Times Book Review, the Washington Post, the Boston GlobeGarden and Gun, the Atlantic, and other publications. She was a Briggs-Copeland Lecturer in Fiction at Harvard, where she also chaired the department of creative writing. She is currently a faculty member of the Bennington College Writing Seminars and is affiliated with the MFA program at North Carolina State University.


Buy Links

Book Review: Luster

My Thoughts

Luster — lus·​ter | \ ˈlə-stər:

  • 1. :a gentle sheen or soft glow, especially that of a partly reflective surface.
  • 2. a: a glow of light from within LUMINOSITY the luster of the stars; b: an inner beauty RADIANCE
  • 3 a superficial attractiveness or appearance of excellence

I have a hard time putting into words what I think about this book. I didn’t really like the characters and I found the story sad. There is quite a bit of social commentary though. Now please understand that a book does not need likeable characters to be a good book. There are some books where the only reason why I read them is because of the bad@$$ antagonist. Sometimes you need a character you love to hate to drive the novel. But Luster is not that type of novel. All the characters are suffering and throughout the book we see them archiving their loneliness and sorrow in different ways. It doesn’t matter what skin they are in – young, old, black, white, rich or poor — there is pain and desolation here. And you wait a long time for Edie to find her inner beauty and shine. In the end she discovers more about who she is, but she has not come full circle yet.

As I was reading there were sentences that stopped me in my tracks. All I could say is “Wow! That’s deep!” There was poetry in the language and a depth of understanding the human condition. Then there were other times where I felt that the text was too cerebral. I felt that the writing got in the way of emoting the feelings.

From this debut it is obvious that Raven Leilani is very talented and creative. I am interested in seeing what she does next.

Raven Leilani

Raven‘s debut novel, Luster, is forthcoming from FSG August 2020. Her work has been published in GrantaMcSweeney’s Quarterly ConcernYale Review, ConjunctionsThe Cut, and New England Review, among other publications. She completed her MFA at NYU. Represented by Ellen Levine @ Trident. You can reach her at @RavenLeilani

Weekly Wrap Up: July 26, 2020

This week was filled with many ups and downs. My best reading day was Wednesday with 571 pages. By the end of the day I had finished 4 books for the week and was halfway through the fifth. My worst day was Thursday when my migraines started. But as you can see I never picked myself back up. Still feeling drained and out of sorts. Not sure if I am actually sick or just run down from online classes.


What Books Did I Read This Week?

This week my focus was on reading ARCs and getting my NetGalley average up. In total I read 7 ARCs and 2 backlist titles – A Good Marriage and The Night Watchman. Both backlist titles were bookclub picks.

Here are the buy links and release dates of the ARCs I read this week:

My NetGalley feedback ratio is now 91%, the highest since I joined the service. I still have 13 galleys to read. Four of these are due to be released within the next month.


Which Book Was My Favorite?

Rating: 5 out of 5.

I had four five star reads this week. Choosing one is very hard as they were all different styles and genres. The Death of Vivek Oji is a contemporary fiction about identity. Emezi’s prose is tender and beautiful. I cried my way through this one. The Night Swim is a fast paced thriller. After the Rain is a graphic novel adapted from one of Okorafor’s short stories and Underground, Monroe and the Mamalogues are three plays written by scholar Lisa B. Thompson.

But if I have to choose just one it would have to be Awaeke Emezi’s third novel, The Death of Vivek Oji.


What Am I Reading Next?

Empire of Wild is a supernatural fable in the vein of Little Red Riding Hood. Hieroglyphics is a contemporary novel about parenthood, memory and loss. I will be reviewing both of these novels over the next week so stop back and hear my thoughts.

Book Review: His & Hers

This is my third book by Alice Feeney. I absolutely loved Sometimes I lie and couldn’t help but rave about it. Her second novel, I Know Who You Are was a completely different matter. I ended up giving it two stars. EEK! So when this book popped up I was hesitant to buy it. I did not know if it was safe to be excited. Then I saw it on NetGalley’s “Listen Now” shelf and figured I would give it a whirl. For those of you who haven’t already heard – – NetGalley now offers audiobooks!

I have to say that this was the perfect match-up. Alice Feeney has redeemed herself in my eyes and delivered a knock out punch. Richard Armitage and Stephanie Racine gave wonderful narrations of their characters.

The title His & Hers stems from the old adage “There are always three sides to a story – yours, mine and the truth”. So when I first saw that we were being given the story from the perspectives of Detective Jack Harper and his ex wife Anna Andrews who is a reporter, I wasn’t sure if the story was going to delve into a “he said – she said” rendition of what happened to their marriage. But it is a murder mystery and both Jack and Anna have connections to the victims. Both are trying to work the case, but from different angles, and sometimes with opposing motivations. Their past relationship sometimes gets in the way of solving the case as do their many secrets.

Who is telling us the truth? Are either of them guilty?

His & Hers kept me guessing and the third mysterious voice lent to the intrigue. Although it took me a bit to get into the novel, once I was in I was hooked. And let’s just say that twist was delicious. (*Chef’s kiss*)


Check Out Our Narrators

Richard Armitage


Stephanie Racine

Blog Tour: Someone’s Listening

Synopsis

You’re not alone. Someone’s waiting. Someone’s watching…Someone’s listening.

In SOMEONE’S LISTENING (Graydon House Books; July 28; $16.99) Dr. Faith Finley has everything she’s ever wanted: she’s a renowned psychologist, a radio personality—host of the wildly popular “Someone’s Listening with Dr. Faith Finley”—and a soon-to-be bestselling author. She’s young, beautiful, and married to the perfect man, Liam.

Of course Liam was at Faith’s book launch with her. But after her car crashes on the way home and she’s pulled from the wreckage, nobody can confirm that Liam was with her at the party. The police claim she was alone in car, and they don’t believe her when she says otherwise. Perhaps that’s understandable, given the horrible thing Faith was accused of doing a few weeks ago.

And then the notes start arriving—the ones literally ripped from the pages of Faith’s own self-help book on leaving an abusive relationship. Ones like “Secure your new home. Consider new window and door locks, an alarm system, and steel doors…”

Where is Liam? Is his disappearance connected to the scandal that ruined Faith’s life? Who is sending the notes? Faith’s very life will depend on finding the answers.


Review

Faith Finley is a successful psychologist with her own radio show named “Someone’s Listening”. She has built a reputation for helping the abused escape from their dangerous relationships. Her whole world comes tumbling down when a former patient accuses her of sexual misconduct. Although this type of delusional behavior fits his pathology, doctor-patient privilege prevents Faith from using his diagnosis to defend herself. As the news outlets increase their coverage she sees bits of her life being wrestled away from her. So when her husband Liam disappears the night of her book signing it is no surprise that detectives assume he has flown the coop.

Her credibility shot, Faith knows that she is on her own. If she wants answers into Liam’s disappearance she needs to get them herself. Throughout her dogged pursuit Faith proves herself to be relentless and reckless. I struggled with her character at times. Even though I applauded her persistence, I felt that as an educated smart woman she made some really stupid decisions. When she started calling Carter after his accusations went live, I could have reached into the kindle and smacked her. I just felt like someone should have been there to knock some sense into her. But ultimately she chased down the leads that no one else would.

For a debut mystery novel, Seraphina Nova Glass does a fine job of introducing doubt into the cast of characters’s motives. She offers up many suspects to keep readers guessing. And I have to say, if a book gets you so invested in the character that you fell the need to intervene as you would on behalf of a friend that says a lot about the novel’s character development and relatability. I look forward to reading Seraphina Nova Glass’s next novel The Seduction which is scheduled to be released Summer 2021.


Meet the Author

Seraphina Nova Glass is a professor and Playwright-in-Residence at the University of Texas-Arlington, where she teaches Film Studies and Playwriting. She holds an MFA in playwriting from Smith College, and has optioned multiple screenplays to Hallmark and Lifetime. Someone’s Listening is her first novel.


Where You Can Find Her

Book Review: After the Rain

“On the Road” is a short story from Nnedi Okorafor’s Kabu Kabu collection. Chioma is a visiting her family in Nigeria. Shortly after arriving the town is hit with torrential rains in which should have been their dry season. As soon as the rain stops you have this young man come to her door. His head is bashed in. Chioma can see the blood matter. For all intents and purposes this young man should not be alive. He should not be able to walk or talk. But there he is, the monster at her door. And she lets him in.

Over the next few days Chioma senses she is being followed. There is a strange odor wafting through her house and she seems to possess a strange magnetism for the town’s lizards. She has no idea what she has awoken or what fate awaits her. But the elders of the town seem to know something. As Chioma gets thinner and weaker the women of the village prepare for what’s to come.

Okorafor does a great job with the build up. She certainly had me anxious and it definitely did not help that I was reading this story at 3 am on a rainy day when the house and neighborhood were fast asleep. Like Binti, I found that I fell right into the story and the pages of this fantasy came to life. As with the majority of Okorafor’s work After the Rain is centered on African mythology.

Agbogo-Mmuo, 1972 by Ben Enwonwu (1917-1994)

For the most part the graphic novel is true to “On the Road” with a few departures for clarity’s sake. I loved the artwork by David Brame and found that his illustrations really do make the story leap off the page.

David Brame; After the Rain

I am hoping that this is a superhero origin story and that there will be a spin off or sequel to After the Rain. My only complaint with the galley was that the font was very fine and pixelated. Had I not had a copy of Kabu Kabu to read, I would have been very upset as there was no way that I would have been able get the story with the little bit that I could read. As I’m sure this will be rectified by the final printing I am not deducting any stars from my rating.

Rating: 5 out of 5.

Book Review: Underground, Monroe and The Mamalogues

In Underground, Thompson examines masculinity, power, protest and privilege. Kyle surprises “Dix” (Mason) when he shows up uninvited to his hideaway home in upstate New York. From the outset, I was skeptical about the purpose of his visit as Kyle went about furtively going through Mason’s things and taking pictures. He came off as a hustler and I was trying to figure out what game he was running. Slowly their past is revealed, as are Kyle’s motives, and Mason becomes more assertive. Having risen above poverty, he no longer feels that the Black male struggle is his fight. He fought. He won. He’s done.

Monroe is based in part on a real lynching that took place just outside the city of Monroe, Louisiana in 1919. George Bolden*, an illiterate man, was lynched after being accused of writing a letter to a white woman. The play opens up with a community viewing strange fruit hanging from a tree. We get to see the impact on the young man’s loved ones as they cope with the brutality of his death and the terror it instills. His sister Cherry cleaves to her religion while his best friend Clyde makes plans to escape the violence and Monroe.

Of the three plays The Mamalogues was the most humorous and lively. Here Thompson turns her lens onto Black single mothers with the aim of dispelling stereotypes and shedding light on issues of inter-sectionality. To this end, Thompson’s group of mature successful women hold conversations with the audience about traditional views on marriage, ageism, homosexuality, the school-to-prison pipeline, how to train your child to survive being called the N-word and other basics of “parenting while black and living in the age of anxiety”.

The common thread in all of these plays is the Black middle class. Thompson is particularly interested in the costs, as well as the benefits, of class ascension.

*If you would like to read more of George Bolden’s story, it is featured in the book Lynching in America: Confronting the Legacy of Racial Terror.

Blog Tour: The Lives of Edie Pritchard

Synopsis

Everyone in Gladstone, Montana recognizes Edie as the smart, self-assured, beautiful wife to her high school sweetheart Dean. But they only see what they want to see. They don’t see the relentless pursuit of Edie by Dean’s
twin brother, Roy. Or Dean’s crippling insecurity in the face of Roy’s calm, easy charm. Edie’s relationship with the Linderman brothers reverberates through the years: from her conventional start as a young bride; to her second marriage to an explosively jealous man with a daughter caught in the middle; to her attempts to protect a granddaughter who is pursued by two lecherous boys. But despite it all, Edie remains strong and independent, no matter how many times her past attempts to claw its way back into her life. Triumphant, engaging, and deeply perceptive, THE LIVES OF EDIE PRITCHARD weaves a complex portrait of a woman determined to live on her own terms.


Review

The Lives of Edie Pritchard follows our heroine through three major periods of her life: during her twenties while she is married to her high school sweetheart, in the midst of her forties as she contemplates leaving her second marriage, and in her senior years as she tries to impart her wisdom to her granddaughter. Edie is an indelible character at any age and over the course of her lifetime we see how she holds onto her sense of self despite what others try to project on to her.

When I picked up this book I was curious how a man would handle the headspace of a woman. Would he understand the nuances of a woman navigating her way through a male dominated society? Would the novel address feminine sentiment in a way that was respectful and honest and true? Does Larry Watson get “it”? Although I do not think he entirely gets us, I did not find myself offended. Perhaps because I expected the book to be through a male lens, I was grateful that he showed her development over time. Watson’s writing is simply stated; cognizant of this woman’s singularity and sense of purpose.

One scene that really made an impression on me was where Edie is talking to Lauren and Roy about how girls in middle school perceive themselves and how their self esteem goes down just about the same time they start getting attention from boys. She asks them why they think this is the case and finally Roy has to admit that “It must be something about the way we look at you.”

This scene takes place when Edie is in her sixties and has come full circle. She has come to accept that people may have their own perceptions of you, that this sense of identity may be caused by false memory or long held views of what they think you should represent. But she is no longer bound to what other people need or want her to be.

When she was in her twenties an offhand comment from a little girl would have prompted her to examine her features and double check that she is not wearing too much makeup and contemplating her hairstyle. A plea to help make a car sale might have her unbuttoning her blouse. In each of these cases she self corrects, disgusted with herself for allowing others to impose their views on her.

By the time she reaches her forties she knows that with her beauty comes expectations from men — including her husband. Even though she wants change in her life, she does not want to forsake her identity to get it.

As a mature woman she is not only self aware, but she also has come to realize that we cannot control what others think of us:

“All of us are someone else in the eyes of others. And for all I know, maybe that other is as true, as real, as the person we believe we are. But the thing is, when you’re back home, you never have a chance to be someone other than who you were then. Even if you never were that person.”

Like Watson’s other novels The Lives of Edie Pritchard is reminiscent of place. Small town Americana comes alive in the form of Gladstone, Montana and is its own character in the book.

“It might not seem like much, this country. A few bare hills, each seeming to rise out of the shadow of the one behind it. Miles of empty prairie, and all of it, hill and plain, the color of paper left out in the sun. You might be out here alone someday with what you thought would be your life. And a gust of wind might blow your heart open like a screen door. And slam it just as fast.”


Meet the Author

Larry Watson is the author of several novels including MONTANA 1948, JUSTICE, WHITE CROSSES, and ORCHARD which have been optioned for film. LET HIM GO was made into a film starring Kevin Costner and Diane Lane and is due to be released this year. Watson’s fiction has been published in ten foreign editions, and has received prizes and awards from Milkweed Press, Friends of American Writers, Mountain and Plains Booksellers Association, Mountain and Plains Library Association, New York Public Library, Wisconsin Library Association, Critics’ Choice, and The High Plains Book Award.  He and his wife Susan live in Kenosha, Wisconsin. They have two daughters, Elly and Amy, and two grandchildren, Theodore and Abigail.

Special thanks to Sara Winston from Algonquin Books for bringing this book to my attention.