Lucas Page is a retired FBI agent. During his tenure he survived a horrific blast that claimed his eye, an arm and a leg. He struggles with PTSD and suffers flashbacks from the incident. Understandably, he is a bit of a curmudgeon and does not warm up to people easily. Yet he has a heart of gold, which is evident by his opening up his heart and home to several adopted children. Having been a foster child himself family means everything to him. To say that Page has a brilliant mind would be an understatement. By day he works as an astrophysicist and university professor. By night he solves crimes no one else can.
Why Do We Like Him?
I just loved Page’s wry sense of humor. His dry wit kept me laughing even though instances where people had died in the book. His relationship with Whittaker was a special one. They seemed to understand what the other one was thinking without having to say anything.
Page is an overcomer. We are given enough details to know that he had a hard childhood but we see him giving back rather than dwelling on the past. He pushes through his flashbacks and his pain. He never makes excuses. Instead he searches for a means to work around his problems. Page has an uncanny, perhaps supernatural, ability to see patterns amidst chaos. His analytical mind can map out a space in seconds and quickly recreate crime scenes.
During the worst blizzard in memory, an FBI agent in a moving SUV in New York City is killed by a nearly impossible sniper shot. Unable to pinpoint where the shot came from, as the storm rapidly wipes out evidence, the agent-in-charge Brett Kehoe turns to the one man who might be able to help them–former FBI agent Lucas Page.
On a beautiful October evening, New York City’s iconic Guggenheim Museum is closed for a tech company’s private gala. Until an explosion rocks the night, instantly killing 702 people, including every single attendee—yet the damage to the building itself was minimal.
An explosion of that precision was no accident and, in response, the FBI mobilizes its entire team — but the sheer number of victims strains their resources. Were all 702 victims in the wrong place at the wrong time, or was there only one target and 701 unlucky bystanders? With too many victims and no known motive, the FBI turns once again to Dr. Lucas Page.
My Thoughts on the Series
This series was brought to my attention by Joseph Bresnan from Minotaur books. I enjoyed both books in this series and would recommend them to fans of Gregg Hurwitz’s Orphan X series. I appreciated Pobi’s representation of a disabled character and how he showed readers his challenges but also allowed us to see his talents. Throughout the books there were several extremely clever plot twists and as a woman in STEM I liked how he incorporated the science and technology.
Meet the Author
I found Lucas Page to be such a curious character I really had to find out more about the man who created him. Pobi seems to be quite a recluse and likes to have a bit of mystery surrounding him:
From Pobi’s author page:“He lives in the country, but spends most of the summer and fall months at his cabin on a lost lake in the mountains. He does not have telephone, internet, or television at the cabin; if he needs to check email, he has to drive eight miles to a tiny town hall for the free wifi at the picnic table inhabited by a gang of octogenarian chain smokers. When the cold starts chewing on the trees, he heads to a place he has on the beach, where his nearest neighbor—a retired cop who shares the same first name—makes the best whiskey sour he has ever tasted.”
“He writes at a desk that once belonged to Roberto ‘God’s Banker’ Calvi, and has (or definitely doesn’t have) a small collection of shrunken human heads (known as tsantsas in anthropological and collector circles) that continually weird out his housekeeper. He owns too many fountain pens and is constantly making notes in old-school Mead marble composition books.”
From Goodreads:“ROBERT POBI has fished for great whites off Montauk, chased coyotes with a dune buggy in the Mojave, and spelunked caves in the former Yugoslavia. He is a renowned expert in English period furniture and makes a mean coq au vin.”
The dead won’t bother you if you don’t give them permission.
Tabby has a peculiar gift: she can communicate with the recently departed. It makes her special, but it also makes her dangerous.
As an orphaned child, she fled with her sister, Alice, from their charlatan aunt Bellefonte, who wanted only to exploit Tabby’s gift so she could profit from the recent craze for seances.
Now a young woman and tragically separated from Alice, Tabby works with her adopted father, Eli, the kind caretaker of a large Boston cemetery. When a series of macabre grave robberies begins to plague the city, Tabby is ensnared in a deadly plot by the perpetrators, known only as the “Resurrection Men.”
In the end, Tabby’s gift will either save both her and the cemetery—or bring about her own destruction.
The Orphan of Cemetery Hill is my first Hester Fox novel. I found her writing to be very atmospheric. I was easily transported back in time. Tabby’s character resonated with me. I was scared for the child abandoned and happy for the girl who found a home. She was resilient and despite the trauma she endured she still was a compassionate and loving person. Despite the fact that I usually gravitate towards kick a$$ females I could appreciate the fact that Hester Fox’s characterization of Tabby as a “little woman waiting to be rescued by her knight in shining armor” was true to the way women in that era were treated. I still don’t like Caleb though and was a bit skeptical about his professions of love. But I digress.
Overall, The Orphan of Cemetery Hill was an enjoyable and engaging read. I was taken in by the mystery and loved that the book was loaded with history. I also enjoyed how Hester Fox handled both Tabby’s and Alice’s supernatural gifts. It was just the right amount of the paranormal: enough to keep me intrigued and not too much where the story would be unbelievable. Definitely picking up Hester Fox to read again.
The Orphan of Cemetery Hill takes place in Boston before the abolition of slavery and the establishment of equal women’s rights. Set in 1844, many slaves had escaped to the North for freedom but did not have much protection under the law. The Seneca Falls Convention has yet to happen but the Suffragettes are organizing and increasing their numbers.
Invasion of the Body Snatchers
Harvard was a burgeoning medical center and its numbers of medical students were rapidly increasing. The one or two cadavers that the school would obtain each year meant that the entire class would be sharing and dissecting a specimen for the full year. With the Paris Method of teaching hands on being the definitive instruction method this meant that there were simply not enough cadavers to meet the needs of the anatomy classes.
Legally, medical schools would be given the bodies of the indigent and executed criminals. Bodies of slaves were also sold, stolen and given over to the schools for experimentation. At Harvard Medical School a secret student society called the Spunkers formed to meet the rising demand for bodies.
Their means of procuring cadavers – grave robbing. In some cases they were quite clever. Some members would go to funerals and blend in with the mourners so that they knew where the fresh graves were. They would pull up the casket by the head slipping the body out through a small opening and returning the casket to the grave. If anyone were to stumble across the grave it would appear undisturbed. They also were quite deliberate about whose grave they would rob. If they disinterred bodies from slave burial grounds they knew there would be no legal ramifications.
Body snatching was so widespread that people started to take extra precautions when burying their loved ones. Family members would vigilantly guard the grave for weeks. Special cages were erected around the grave. The most extreme measures were perhaps the grave guns and coffin torpedoes that were attached to caskets, primed and at the ready.
Meet the Author
Hester Fox is a full-time writer and mother, with a background in museum work and historical archaeology. Most weekends you can find Hester exploring one of the many historic cemeteries in the area, browsing bookshops, or enjoying a seasonal latte while writing at a café. She lives outside of Boston with her husband and their son.
Wallace and Gromit meets Winnie-the-Pooh in a fresh take on a classic odd-couple friendship, from Newbery Honor author Amy Timberlake with full-color and black-and-white illustrations throughout by Caldecott Medalist Jon Klassen.
No one wants a skunk.
They are unwelcome on front stoops. They should not linger in Important Rock Rooms. Skunks should never, ever be allowed to move in. But Skunk is Badger’s new roommate, and there is nothing Badger can do about it.
When Skunk plows into Badger’s life, everything Badger knows is upended. Tails are flipped. The wrong animal is sprayed. And why-oh-why are there so many chickens?
Newbery Honor author Amy Timberlake spins the first tale in a series about two opposites who need to be friends.
New York Times bestselling author/illustrator and Caldecott Medalist Jon Klassen completes the book with his signature lushly textured art. This beautifully bound edition contains both full-color plates and numerous black-and-white illustrations.
Skunk and Badger is a book you’ll want to read, reread, and read out loud . . . again and again.
“Adventure and Science made the best stories.”
Skunk and Badger represent these two opposites but show that joy is to be had by embracing both of these principles. Adventure is fun but things get messy. (Beware of rocket potatoes!) Science has structure and discipline but its very essence is magic. Timberlake captures this very well in her story of Chicken Little the Mighty.
What Geralyn Liked Best
My daughter’s favorite character was Skunk. She liked him because he seemed like a lot of fun. She used his jumping on beds as her example. Most importantly for her was that he could COOK. Yes! With a capital C! And Lord knows my girl likes to eat. It may be her favorite pastime. LOL I mean no harm. I am a foodie too 🙂 But my girl was coming up with ideas. Skunk is putting this Momma to work! I have to be honest and say that those strawberry cinnamon muffins sounded delish. We’ll be savoring all of their goodness this weekend. Here’s the recipe in case you guys would like to share it with your kiddos as well.
For my part I have to admit that I sound a lot like Badger these days. Working from home is challenging and it’s hard to find a quiet place to work without interruption. Oh how I envy Skunk though. That moon room sounds like the ultimate reading nook.
What We Learned As a Family
Everyone must contribute. “It’s a Law of Nature.”
“The fastest way to win a kingdom is by being kind and gentle instead of using violence and cruelty.”
It’s easier to make friends when you show a genuine interest in getting to know them, their likes and dislikes.
Sincere Sorrys do not come with “Buts”. (But this . . . But that)
You should get to know someone first before making judgments about them. It is wrong to lump groups of animals (or people) together and assume they all act the same way.
Family Fun Ideas
Go rock hunting! Explore some of our local national parks to see how many different types of rocks we can find.
Learn more about rock properties using a rock testing kit.
Make our own gem bracelets.
Grow a potato at home.
Make PEEP kebobs.
Write and illustrate our own retellings of Chicken Little.
Meet the Author
From her website:“Amy Timberlake grew up in Hudson, Wisconsin. She attended Mount Holyoke College and majored in History. She also holds an M.A. in English/Creative Writing. Most of the time, she can be found in Chicago, where she lives with her husband. But on especially good days she can be found walking on a long, long trail.”
Meet the Illustrator
From Goodreads:“Jon Klassen received the 2010 Canadian Governor General’s Award for his illustrations in Caroline Stutson’s CAT’S NIGHT OUT. He also created illustrations for the popular series THE INCORRIGIBLE CHILDREN OF ASHTON PLACE and served as an illustrator on the animated feature film Coraline. I WANT MY HAT BACK is the first book he has both written and illustrated. Originally from Niagara Falls, Canada, he lives in Los Angeles.”
THE LAST STORY OF MINA LEE (on sale: September 1, 2020; Park Row Books; Hardcover; $27.99 US/ $34.99 CAN). opens whenMargot Lee’s mother, Mina, doesn’t return her calls. It’s a mystery to twenty-six-year-old Margot, until she visits her childhood apartment in Koreatown, Los Angeles, and finds that her mother has suspiciously died. The discovery sends Margot digging through the past, unraveling the tenuous and invisible strings that held together her single mother’s life as a Korean War orphan and an undocumented immigrant, only to realize how little she truly knew about her mother.
Interwoven with Margot’s present-day search is Mina’s story of her first year in Los Angeles as she navigates the promises and perils of the American myth of reinvention. While she’s barely earning a living by stocking shelves at a Korean grocery store, the last thing Mina ever expects is to fall in love. But that love story sets in motion a series of events that have consequences for years to come, leading up to the truth of what happened the night of her death.
The first time I heard about this book was by Russell on Ink and Paper blog. So when I got offered the chance to read it for the blog tour I was super excited. Indeed, I had very good reason. This book was an emotional tug that gave me insight into immigrant life.
Margot returns home after a long absence to find her mother dead. As she makes arrangements for her mother’s funeral she tries to sort out the pieces of her mother’s life. She soon comes to realize that a child never really knows the whole of their parents.
As a mother, Mina has had to make sacrifices and put aside pieces of herself in order to guarantee the best for her child. As the child, Margot was oblivious to her mother’s struggles and the secrets she kept to protect her. As a child, she judges her mother for her otherness and blamed her for her own insecurities of not fitting in.
As a woman looking back over that time, she realizes how strong her mother was and how much she must have loved her to make the decisions she did. Margot comes to understand how hard it must have been for her mother to survive as an immigrant in America.
“What did this country ask us all to sacrifice? Was it possible to feel anything while we were all trying to get ahead of everyone else, including ourself?”
Margot learns what it meant for Mina to be held at arm’s length from the American dream. Separated through poverty, by language and living in insular neighborhoods formed from common threats and fears.
In her mother’s death Margot learns not only the pieces that made her mother, but her heritage and herself.
Although The Last Story of Mina Lee may be considered a mystery, I was drawn to the characterization and the process by which Margot comes to know her mother.
There were so many powerful passages that stayed with me and kept me thinking not only of Mina and Margot but of immigrants, women and mothers and daughters.
Did stories keep us alive or kill us with false expectations? It depended on who wrote them perhaps.
With The Last Story of Mina Lee, Nancy Jooyun Kim has written an intimate, richly layered and moving portrayal of Korean immigrant experience. I look forward to reading more of her stories and cannot wait to see what she comes up with next.
Meet the Author
Born and raised in Los Angeles, Nancy Jooyoun Kim is a graduate of UCLA and the MFA Creative Writing Program at the University of Washington, Seattle. Her work has appeared in the Los Angeles Review of Books, Guernica, The Rumpus, Electric Literature, Asian American Writers’ Workshop’s The Margins, The Offing, the blogs of Prairie Schooner and Kenyon Review, and elsewhere. Her essay, “Love (or Live Cargo),” was performed for NPR/PRI’s Selected Shorts in 2017 with stories by Viet Thanh Nguyen, Phil Klay, and Etgar Keret. THE LAST STORY OF MINA LEE is her first novel.
Thank you to MIRA/ Harlequin Press for including me on this tour. I apologize for this post being so late. Between e-learning and getting sick I have fallen behind on nearly everything. But I really enjoyed this book and still wanted to give it the attention it deserved.
YOU meets FATAL ATTRACTION in this up-all-night psychological thriller about a lonely empty-nester’s growing obsession with a young mother who shares her name.
It all begins on an ordinary fall morning, when Kelly Medina gets a call from her son’s pediatrician to confirm her upcoming “well-baby” appointment. It’s a cruel mistake; her son left for college a year ago, and Kelly has never felt so alone. The receptionist quickly apologizes: there’s another mother in town named Kelly Medina, and she must have gotten their numbers switched.
But Kelly can’t stop thinking about the woman who shares her name. Lives in her same town. Has a son she can still hold, and her whole life ahead of her. She can’t help looking for her: at the grocery store, at the gym, on social media. When Kelly just happens to bump into the single mother outside that pediatrician’s office, it’s simple curiosity getting the better of her.
Their unlikely friendship brings Kelly a renewed sense of purpose, taking care of this young woman and her adorable baby boy. But that friendship quickly turns to obsession, and when one Kelly disappears, well, the other one may know why.
Kelly Medina is lonely. An empty-nester, she has time on her hands particularly since her husband spends so much time away for work. Her only reprieves are her outings with her best friend Christine. So when she gets a call from her son’s pediatrician to remind her about her upcoming appointment she is intrigued by the prospect of another Kelly Medina. A younger woman with an infant son. She seeks her out. Stalks her even as she becomes obsessed with this other Kelly’s life.
This part of the book did not really spark my curiosity. My name is rather common and although I grew up in a relatively small town there was another young lady who shared my name. I was always having to sort people out between me and the other Michelle. So the very premise of this story was not as intriguing for me as it may have been for other readers.
What did pique my interest was learning about the emotional strain the older Kelly was going through. I kept trying to figure out just how mentally unstable she was and to determine whether the younger Kelly was real or a figment of her delusional mind. Either way the story played out When I Was You was shaping up to be a rather pulse-pounding dangerous ride.
Will our Kelly make it out alive and mentally sound? Garza serves up plenty of twists and turns to keep us guessing until the final moments. And oh how I LOVED that ending!
When I Was You was my first Amber Garza book but I am really looking forward to delving into her other novels. First up – the Prowl Trilogy.
Meet the Author
Amber Garza has had a passion for the written word since she was a child making books out of notebook paper and staples. Her hobbies include reading and singing. Coffee and wine are her drinks of choice (not necessarily in that order). She writes while blaring music, and talks about her characters like they’re real people. She lives with her husband and two kids in Folsom, California, which is—no joke—home to another Amber Garza.
Hello Everyone and Welcome to my stop on Tour the World in 30 Books.
This blog tour is hosted by Sammie @ The Bookwyrm’s Den in support of increasing access to more diverse books. The CCPL—a small, rural library in an area with a high poverty rate and a very homogeneous population, where people rarely have the means to travel or experience new perspectives. However, the library doesn’t believe that should stop people from learning more about the world around them, so they’re running a Diverse Book Drive through the month of September in an attempt to bring the rest of the world to the county instead. With a focus on MG and YA books, the CCPL aims to expose especially its young patrons to new and diverse perspectives and cultures.
Sharks in the Time of Saviors
Kawaii Strong Washburn
Sharks in the Time of Saviors is so far my favorite book of 2020. The story was moving, the characters memorable and the language was oh so beautiful. This is a book that will stay with me a long time and I will return to many times over.
Here are the top 5 reasons why you should read this soul stirring book.
Importance of Place
The Hawaii in Sharks in the Time of Saviors is not a place filled with tourists but one of a family with roots extending through the generations. It is beautiful and lush but Washburn focuses on the value of tradition and the price paid for modernity.
Legend in Sharks in the Time of Saviors is both mystical and miraculous. It is part of the family’s heritage as well as their future. The book opens up on the night of Noa’s conception with a sighting of Hawaii’s Night Marchers. By the end of the first chapter Noa becomes a living legend when he falls into the sea and is delivered back to safety in the mouth of a shark. He goes on to perform miracles.
As the family hero Noa struggles to save the world without losing himself, while his siblings try to assert themselves to remind others that they still exist.
Family plays an important role in the book. Washburn spends a lot of time with the siblings and how they adjust to their new familial roles after the tragedy. Throughout the book he uses rotating perspectives to amplify their different voices. The characters are drawn with such depth that even through their flaws each of them has the power to carve out the family’s existence and save the others.
“I’d dream of what must have been Hawaiian gods. Women as large and distant as volcanoes, their skin dark like pregnant soil, dolphin-kind bodies thick and slick and full of joyful muscle. Their hair tangled and tumbled down into the trees until I couldn’t tell the vines from their locks and their eyes golden or blue or green without white and smoldering. Everywhere they touched the land, the land grew into them, skin blending with earth, until you couldn’t find where one ended and the other began.”
We can put our faith in the supernatural or in each other. Here, faith extends from the gods to family and to our connection to the land. Salvation comes in the form of returning home and melding the present with the traditions of the past.
My Favorite Quote
“If a god is a thing that has absolute power over us, then in this world there are many. There are gods that we choose and gods that we can’t avoid; there are gods that we pray to and gods that prey on us; there are dreams that become gods and pasts that become gods and nightmares that do, as well. As I age I learn that there are more gods than I’ll ever know, and yet I have to watch for all of them, or else they can use me or I can lose them without even realizing it.”
How Can You Help?
Casey County Public Library Wishlists
You may also purchase one of the books featured on this tour from the wishlists below. Hardbacks are preferred but not required.
(If you order something from the Book Shop wishlist, please DM @srbetler on Twitter or email firstname.lastname@example.org, because I don’t believe that site automatically removes books from the wish list.)
Need more ideas? The library has a general Amazon wish list with suggestions too.
Blog Tour Schedule
Please take the time to visit these other stops on the tour. It’s a great way to show your support for this great cause and who knows you might just find your next great book love in the pages of these awesome books.
From award-winning, bestselling author Ibi Zoboi and prison reform activist Yusef Salaam of the Exonerated Five comes a powerful YA novel in verse about a boy who is wrongfully incarcerated. Perfect for fans of Jason Reynolds, Walter Dean Myers, and Elizabeth Acevedo.
The story that I thought
was my life
didn’t start on the day
I was born
Amal Shahid has always been an artist and a poet. But even in a diverse art school, he’s seen as disruptive and unmotivated by a biased system. Then one fateful night, an altercation in a gentrifying neighborhood escalates into tragedy. “Boys just being boys” turns out to be true only when those boys are white.
The story that I think
will be my life
Suddenly, at just sixteen years old, Amal’s bright future is upended: he is convicted of a crime he didn’t commit and sent to prison. Despair and rage almost sink him until he turns to the refuge of his words, his art. This never should have been his story. But can he change it?
With spellbinding lyricism, award-winning author Ibi Zoboi and prison reform activist Yusef Salaam tell a moving and deeply profound story about how one boy is able to maintain his humanity and fight for the truth, in a system designed to strip him of both.
I can remember vividly the days surrounding the Central Park jogger case. I remember the collective fear that held New York City in a vice. The way the press preyed on our emotions with descriptions of roving gangs of teens “wilding out”. Five teens — black and brown — were accused of this depraved act. They were villainized. Trump took out a full page ad in the New York Times demanding the death penalty in their case. In the days the followed one person stood out for me. Yusef Salaam’s mother. Because of her stoicism. She never faltered. In the heat of the frenzy she boldly proclaimed her son’s innocence across her chest.
In the end the five would spend 6-13 years behind bars for a crime they did not commit.
Punching the Air is a collaboration between award winning author Ibi Zoboi and Exonerated Five member Yusef Salaam. It tells the story of a teenage boy Amal who has been wrongfully convicted of a crime. The book is a beautifully rendered piece that delves into the disenfranchisement of young black men.
“Locking you up isn’t enough for them They will try to crush your spirit until you’re nothing but —
Dust we both say together”
Written in verse, Punching the Air shows Amal whose name means hope draw strength through creativity. His poems and art are glimpses of freedom that give him hope to carry on.
” And what does dust do, Amal? What did Maya Angelou say about dust? Umi asks It rises, I whisper”
“It was this one dude who said that’s why we’re always fucking up, we’re always making mistakes because ain’t no butterflies in the hood
See, if there were butterflies we would have what’s called the butterfly effect
A butterfly’s wings can change the path of a storm
Something so small can change one big thing in the world one big thing in the universe
If there are no butterflies here no pretty little wings flapping in the hood then we can’t change a thing, he said
We’re the butterflies, I said and the things we do are like wings”
Meet the Authors
Ibi Zoboi was born in Port-au-Prince, Haiti, and holds an MFA in writing for children and young adults from Vermont College of Fine Arts. Her novel American Street was a National Book Award finalist and a New York Times Notable Book. She is also the author of Pride and My Life as an Ice Cream Sandwich, a New York Times bestseller. She is the editor of the anthology Black Enough: Stories of Being Young & Black in America. Raised in New York City, she now lives in New Jersey with her husband and their three children.
Dr. Yusef Salaam
Dr. Yusef Salaam was just fifteen years old when his life was upended after being wrongly convicted in the “Central Park Jogger” case, along with four other boys who are now known as the Exonerated Five. Their story has been documented in the award winning film The Central Park Five by documentarians Ken Burns, Sarah Burns, and David McMahon and in Ava DuVernay’s highly acclaimed series When They See Us, one of Netflix’s most-watched original series of all time. Yusef is now a poet, activist, and inspirational speaker who lives in Atlanta, Georgia. He is the recipient of a Lifetime Achievement Award from President Barack Obama.
Allie Lang is a professional ghostwriter and a perpetually broke single mother to a young boy. Years of navigating her own and America’s cultural definition of motherhood have left her a lapsed idealist. Lana Breban is a high-profile lawyer, economist, and advocate for women’s rights with designs on elected office. She also has a son. Lana and her staff have decided she needs help softening her image in the eyes of the public and that a memoir about her life as a mother will help.
Allie struggles to write Lana’s book as obstacles pile up: not enough childcare, looming deadlines, an unresponsive subject, an ill-defined romantic relationship on the verge of slipping away. Eventually, Lana comes to require far too much of Allie and even her son. Allie’s ability to stand up for herself and ask for all that she deserves will ultimately determine the power that she can wield over her own life.
With the satirical eye of Tom Perrotta’s Mrs. Fletcher and the incisiveness of Meg Wolitzer’s The Female Persuasion, acclaimed writer Heidi Pitlor tells a timely, bitingly funny, and insightful story of ambition, motherhood, and class.
Ghostwriter Allie is used to stepping into someone else’s shoes and wearing their identities for months at a time. This level of method acting or getting into her subject’s head is required for pulling off a convincing read in someone else’s voice. Unlike actresses however, Allie never gets to take the credit for her work. Some charismatic headliner or successful business woman gets to put their pretty picture on the cover of her books and watch their faces climb the best seller lists. But Allie does not care for the accolades. She just wants to make a good enough living to support her son Cass.
Writing for condescending and sometimes sexist stars can make her job frustrating at times, but Lana Breban, feminist advocate, might be her most challenging client yet. Known for her blue cropped hair and no-nonsense style, Lana is an immigrant who has made her place in the world and has fought for the rights of other women. Allie looks up to her but as she tries to gather personal information for her book, Lana is not very forthcoming. Now that Lana is running for Senate she is not sure if her brand of motherhood appeals to the masses. As she tries to soften her public image Allie’s humble life and experiences seem more of the stuff that voters would like.
Impersonation asks a lot of questions not just about politics, but how we view women and how we judge mothers. Pitlor does start the conversation about modeling feminism for our younger generation in the hope to raise more compassionate and loving men for tomorrow. In the book, Allie tackles with the limits imposed on children by the genderization of babies. She strives to raise Cass in a gender-neutral setting offering him traditionally “feminine” toys like dolls to play with alongside trucks and cars. She also allows Cass to wear clothing of different types and colors but recognizes that other parents are not so open to little boys in pink. Nor will these parents chastise their children for being cruel. Bad behavior is usually explained away as “boys will be boys”.
Although I do not not think everything about motherhood is a feminist discussion, I do feel that oftentimes people feel they have the right to assert themselves in personal matters that are none of their business.
To breast feed or bottle feed? Which is right is a decision made between that mother and that child. I’ve breastfed four children. One I was able to feed on demand. With another we only lasted two months before switching to formula only. A third child was nibbling on chicken bones by 4 months old. The last took to bottle and breast equally. It made him no nevermind how he was eating as long as he had some type of food in his mouth.
What is the right way to disciple your child? Do you give them time out, take away privileges or use rewards as incentive for good behavior? What works with one child does not always work with the next. Nor does it work with the same child day in and day out. Whether she has one child or five, every mom needs to be quick witted and carry many tools in her arsenal.
Impersonation is in part an ode to the many hats that women wear as we make our way through American society. Daughter. Wife. Single mother. Career woman. Sometimes we wear a multitude of titles and they all carry a heavy weight loaded with the expectations of others. Ultimately, it is up to us to decide what works best for our own happiness and learn to advocate for what we want. Don’t apologize for who you are just because it does not fit the definition of who someone else wants you to be.
Meet the Author
Heidi Pitlor is the author of the novels The Birthdays and The Daylight Marriage. She has been the series editor of The Best American Short Stories since 2007 and the editorial director of Plympton, a literary studio. Her writing has been published in the New York Times, the Boston Globe, the Huffington Post, Ploughshares, and the anthologies It Occurs to Me That I Am America: New Stories and Art and Labor Day: True Birth Stories by Today’s Best Women Writers. She lives outside Boston.
In two-time O. Henry-prize winner Swamy’s debut collection of stories, dreams collide with reality, modernity collides with antiquity, myth with true identity, and women grapple with desire, with ego, with motherhood and mortality. In “Earthly Pleasures,” Radika, a young painter living alone in San Francisco, begins a secret romance with one of India’s biggest celebrities. In “A Simple Composition,” a husband’s moment of crisis leads to his wife’s discovery of a dark, ecstatic joy and the sense of a new beginning. In the title story, an exhausted mother watches, distracted and paralyzed, as a California wildfire approaches her home. With a knife blade’s edge and precision, the stories of A House Is a Body travel from India to America and back again to reveal the small moments of beauty, pain, and power that contain the world.
A House is a Body is an intimate collection of stories that explores a range of human emotions, conditions and relationships. It is tender and riveting. The prose is simple yet searing. Even though each story embodied a different soul, together these stories came together to reveal a humanity that is full of beauty, hope and pain.
“She was like hearing your own heartbeat. If you stop for a minute and are entirely still you can hear it. All along she’s with you, but you never notice until you think to notice.”
In this passage Swamy is talking of mothers but in her intuitive way her female characters call to attention many nuanced perspectives of looking at the world.
“When he lifted his eyes to me for a moment I felt the wind knocked out: I was a bell, and he’d rung me.”
A House is a Body using electric prose and imagery to bring both the realistic and surreal alive. It is definitely worth your time to pick this book up and steep in its well of emotions.
Meet the Author
From the author’s website: “The winner of two O. Henry Awards, Shruti Swamy’s work has appeared in The Paris Review, the Kenyon Review Online, Prairie Schooner, and elsewhere. In 2012, she was Vassar College’s 50th W.K. Rose Fellow, and has been awarded residencies at the Millay Colony for the Arts, Blue Mountain Center, and Hedgebrook.
She is a Kundiman fiction fellow, a 2017 – 2018 Steinbeck Fellow at San Jose State University, and a recipient of a 2018 grant from the Elizabeth George Foundation.”
First, I would like to thank Clare Maurer and Maria Vitale at St.Martin’s Press for thinking of me when organizing this blog tour.
The war is over, but the past is never past …
Paris, 1944. Charlotte Foret is working in a tiny bookstore in Nazi-occupied Paris struggling to stay alive and keep her baby Vivi safe as the world around them is being torn apart. Every day they live through is a miracle until Vivi becomes gravely ill. In desperation, Charlotte accepts help from an unlikely saviour – and her life is changed forever.
Charlotte is no victim – she is a survivor. But the truth of what happened in Paris is something she can never share with anyone, including her daughter. But can she ever really leave Paris behind – and survive the next chapter of her life?
Seamlessly interweaving Charlotte’s past in wartime Paris and her present in the 1950s world of New York publishing, Paris Never Leaves You is a heartbreakingly moving and unforgettable story of resilience, love – and impossible choices.
Paris Never Leaves You is an historical novel about the German occupation of Paris during World War II. What stood out for me was that it showed the impact on civilians during a time of war. We see their daily struggle to get food and essentials. We understand their fears as their houses are no longer their homes, but instead commodities of war. Families are divided and move nightly to evade the German soldiers.
The effect of the war is palpable. Charlotte has lost a considerable amount of weight. Her father has fled the country. Her closest friend Simone has been arrested and her daughter Vivi is starving. And through all this a German soldier comes to her bookstore proffering food. At first she tells herself that she accepts his kindness out of necessity. Then she realizes that she has feelings for him that run deeper. She cannot admit or express how she truly feels. It seems like a betrayal. To her dead husband and to the people of Paris.
At the end of the war Charlotte and Vivi have both made it through. Their new lives in America are strained by the secrets of the past. Not only does survivor’s guilt weigh down heavily on Charlotte, but she also is ashamed of how she came to secure the life that she and Vivi now live.
I found the book slow going at first and had a hard time getting into it. When I read the blurb I thought it was going to be more about books because of the bookstore and publishing angles. However, I did appreciate learning another aspect of World War II that is rarely depicted in books. I never thought of a Jew serving in the German army or others using Jewish classification to escape war. I found this whole concept of “hiding in plain sight” intriguing and was touched by both Julian’s and Charlotte’s stories.
Meet the Author
Ellen Feldman, a 2009 Guggenheim fellow, is the author of Terrible Virtue, The Unwitting, Next to Love, Scottsboro (shortlisted for the Orange Prize), The Boy Who Loved Anne Frank (translated into nine languages), and Lucy. Her last novel, Terrible Virtue, was optioned by Black Bicycle for a feature film.
Ellen has lectured extensively around the country and in Germany and England, and enjoys talking to book groups in person, on the phone, or via the web.
She grew up in northern New Jersey and attended Bryn Mawr College, from which she holds a B.A. and an M.A. in modern history. After further graduate studies at Columbia University, she worked for a New York publishing house.
Ellen lives in New York City and East Hampton, New York, with her husband and a terrier named Charlie.
I am late to the game with this Readathon. I first saw it on Twitter on Deja (I hope I spelled her name right.) – Diary of a Reader‘s page. This is the third round of Mermaid-A-Thon. It is hosted by Fernando of Fernando’s Mermaid Books.
Dark World Challenges
Read a Book That Features War
Read a Book with a Badass Female Main Character
A Thousand Ships is a retelling of the Trojan War from a female perspective. Short listed for the 2020 Women’s Prize for Fiction, “A Thousand Ships gives voices to the women, girls and goddesses who, for so long, have been silent.”
Dead Voices is the spine tingling sequel to Katherine Arden’s Small Spaces. When I read this book a few years ago I got so swept up in the story that I forgot it was supposed to be a family read. LOL Looking forward to see where Arden takes Ollie and friends in this next chapter.
Read a Book with Revenge
In this first installment of Robert Pobi’s Lucas Page series, former FBI agent Lucas Page must find a sniper bent on revenge before his family find themselves in the sniper’s lens.
Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically—lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely.
Now, after many years in Boston, they have retired in North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d rather forget. Because, after all, not all parents are ones you wish to remember.
Hieroglyphics reveals the difficulty of ever really knowing the intentions and dreams and secrets of the people who raised you. In her deeply layered and masterful novel, Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and what it means to be a child piecing together the world all around us, a child learning to make sense of the hieroglyphics of history and memory.
Hieroglyphics opens as a character study of three generations of people not necessarily connected by family, but related by home. Lil and Frank are an older couple returning to their hometown in the winter of their lives. Shelley is a single mother of two boys Jason and Harvey. She and Harvey live alone in Frank’s childhood home.
We get a very good sense of Lil through her collection of letters and odd bits of history that she leaves about the house. Of all the characters her voice was the one resonated with me the most. I felt nostalgic at times even though she is not of my generation nor is her story my story. I was just pulled in by the love that she showed her family, her inner strength and her loyalty.
Frank is an archaeologist who investigates “graves and caves” in search of clues of long gone civilizations. But the past that he is really trying to decipher is his own.
Shelley works as a stenographer who is beset by the current case that she is transcribing. It is a high profile murder case where she over identifies with the victim. As she listens to testimony it triggers flashbacks of her past traumas. This intense anxiety is causing her to reflect on different aspects of her life. Not only forcing her to revisit her mistakes of the past, but to also reevaluate her decisions as a parent.
Poor Harvey thinks their home is haunted. There is a ghost that lingers at night and causes him to wet the bed. He has a vivid imagination. When he puts on one of his fake mustaches he could be either a sentient adult or a superhero known as Super Monkey. His superpower is that he can talk serial killers out of doing wrong and turn them onto the path of all that is moral and good. All of these are symptoms of his overriding fears – his sensitivity over his cleft lip, his abandonment by his father and his awareness of his mother’s grief and distress.
When I was a student I found that picking a title that encapsulated the heart of my story was perhaps one of the hardest tasks of writing. So now as an adult whenever I read a book I try to figure out why the author chose the title and its significance. After reading Hieroglyphics I came up with two justifications for the name.
Hieroglyphics are an ancient code of pictures that tell a story. Each of the characters encode their experiences. Shelley uses shorthand while transcribing her cases. Harvey and his brother trade secrets in Klingon. Lil reminisces over her mother’s unique sort of jargon. She and Frank share secret words so if one dies first they can “send messages” through the living.
Hieroglyphics are a language that informs the past. Here the past can be bittersweet with characters at times examining their lives through experiences of death and catastrophe. As Lil helps her daughter prepare for her wedding she is reminded of her own. Although her own mother was taken before she wed Frank she feels blessed to share this moment with her daughter and remembers how tragedy brought her and Frank together.
Take your time reading this book. It is subtle. It is sublime. If I had to sum Hieroglyphics up in one sentence I would say that it was a heartfelt, bittersweet examination of the legacy we leave behind for those we love. Highly recommend.
Meet the Author
Jill McCorkle’s first two novels were released simultaneously when she was just out of college, and the New York Times called her “a born novelist.” Since then, she has published six novels and four collections of short stories, and her work has appeared in Best American Short Stories several times, as well as The Norton Anthology of Short Fiction. Five of her books have been New York Times Notable books, and her most recent novel, Life After Life, was a New York Times bestseller. She has received the New England Booksellers Award, the John Dos Passos Prize for Excellence in Literature, and the North Carolina Award for Literature. She has written for the New York Times Book Review, the Washington Post, the Boston Globe, Garden and Gun, the Atlantic, and other publications. She was a Briggs-Copeland Lecturer in Fiction at Harvard, where she also chaired the department of creative writing. She is currently a faculty member of the Bennington College Writing Seminars and is affiliated with the MFA program at North Carolina State University.
1. :a gentle sheen or soft glow, especially that of a partly reflective surface.
2. a: a glow of light from within : LUMINOSITY the luster of the stars; b: an inner beauty : RADIANCE
3 : a superficial attractiveness or appearance of excellence
I have a hard time putting into words what I think about this book. I didn’t really like the characters and I found the story sad. There is quite a bit of social commentary though. Now please understand that a book does not need likeable characters to be a good book. There are some books where the only reason why I read them is because of the bad@$$ antagonist. Sometimes you need a character you love to hate to drive the novel. But Luster is not that type of novel. All the characters are suffering and throughout the book we see them archiving their loneliness and sorrow in different ways. It doesn’t matter what skin they are in – young, old, black, white, rich or poor — there is pain and desolation here. And you wait a long time for Edie to find her inner beauty and shine. In the end she discovers more about who she is, but she has not come full circle yet.
As I was reading there were sentences that stopped me in my tracks. All I could say is “Wow! That’s deep!” There was poetry in the language and a depth of understanding the human condition. Then there were other times where I felt that the text was too cerebral. I felt that the writing got in the way of emoting the feelings.
From this debut it is obvious that Raven Leilani is very talented and creative. I am interested in seeing what she does next.
Raven‘s debut novel, Luster, is forthcoming from FSG August 2020. Her work has been published in Granta, McSweeney’s Quarterly Concern, Yale Review, Conjunctions, The Cut, and New England Review, among other publications. She completed her MFA at NYU. Represented by Ellen Levine @ Trident. You can reach her at @RavenLeilani
This week was filled with many ups and downs. My best reading day was Wednesday with 571 pages. By the end of the day I had finished 4 books for the week and was halfway through the fifth. My worst day was Thursday when my migraines started. But as you can see I never picked myself back up. Still feeling drained and out of sorts. Not sure if I am actually sick or just run down from online classes.
What Books Did I Read This Week?
This week my focus was on reading ARCs and getting my NetGalley average up. In total I read 7 ARCs and 2 backlist titles – A Good Marriage and The Night Watchman. Both backlist titles were bookclub picks.
Here are the buy links and release dates of the ARCs I read this week:
My NetGalley feedback ratio is now 91%, the highest since I joined the service. I still have 13 galleys to read. Four of these are due to be released within the next month.
Which Book Was My Favorite?
Rating: 5 out of 5.
I had four five star reads this week. Choosing one is very hard as they were all different styles and genres. The Death of Vivek Oji is a contemporary fiction about identity. Emezi’s prose is tender and beautiful. I cried my way through this one. The Night Swim is a fast paced thriller. After the Rain is a graphic novel adapted from one of Okorafor’s short stories and Underground, Monroe and the Mamalogues are three plays written by scholar Lisa B. Thompson.
But if I have to choose just one it would have to be Awaeke Emezi’s third novel, The Death of Vivek Oji.
What Am I Reading Next?
Empire of Wild is a supernatural fable in the vein of Little Red Riding Hood. Hieroglyphics is a contemporary novel about parenthood, memory and loss. I will be reviewing both of these novels over the next week so stop back and hear my thoughts.
This is my third book by Alice Feeney. I absolutely loved Sometimes I lie and couldn’t help but rave about it. Her second novel, I Know Who You Are was a completely different matter. I ended up giving it two stars. EEK! So when this book popped up I was hesitant to buy it. I did not know if it was safe to be excited. Then I saw it on NetGalley’s “Listen Now” shelf and figured I would give it a whirl. For those of you who haven’t already heard – – NetGalley now offers audiobooks!
I have to say that this was the perfect match-up. Alice Feeney has redeemed herself in my eyes and delivered a knock out punch. Richard Armitage and Stephanie Racine gave wonderful narrations of their characters.
The title His & Hers stems from the old adage “There are always three sides to a story – yours, mine and the truth”. So when I first saw that we were being given the story from the perspectives of Detective Jack Harper and his ex wife Anna Andrews who is a reporter, I wasn’t sure if the story was going to delve into a “he said – she said” rendition of what happened to their marriage. But it is a murder mystery and both Jack and Anna have connections to the victims. Both are trying to work the case, but from different angles, and sometimes with opposing motivations. Their past relationship sometimes gets in the way of solving the case as do their many secrets.
Who is telling us the truth? Are either of them guilty?
His & Hers kept me guessing and the third mysterious voice lent to the intrigue. Although it took me a bit to get into the novel, once I was in I was hooked. And let’s just say that twist was delicious. (*Chef’s kiss*)
You’re not alone. Someone’s waiting. Someone’s watching…Someone’s listening.
In SOMEONE’S LISTENING(Graydon House Books; July 28; $16.99) Dr. Faith Finley has everything she’s ever wanted: she’s a renowned psychologist, a radio personality—host of the wildly popular “Someone’s Listening with Dr. Faith Finley”—and a soon-to-be bestselling author. She’s young, beautiful, and married to the perfect man, Liam.
Of course Liam was at Faith’s book launch with her. But after her car crashes on the way home and she’s pulled from the wreckage, nobody can confirm that Liam was with her at the party. The police claim she was alone in car, and they don’t believe her when she says otherwise. Perhaps that’s understandable, given the horrible thing Faith was accused of doing a few weeks ago.
And then the notes start arriving—the ones literally ripped from the pages of Faith’s own self-help book on leaving an abusive relationship. Ones like “Secure your new home. Consider new window and door locks, an alarm system, and steel doors…”
Where is Liam? Is his disappearance connected to the scandal that ruined Faith’s life? Who is sending the notes? Faith’s very life will depend on finding the answers.
Faith Finley is a successful psychologist with her own radio show named “Someone’s Listening”. She has built a reputation for helping the abused escape from their dangerous relationships. Her whole world comes tumbling down when a former patient accuses her of sexual misconduct. Although this type of delusional behavior fits his pathology, doctor-patient privilege prevents Faith from using his diagnosis to defend herself. As the news outlets increase their coverage she sees bits of her life being wrestled away from her. So when her husband Liam disappears the night of her book signing it is no surprise that detectives assume he has flown the coop.
Her credibility shot, Faith knows that she is on her own. If she wants answers into Liam’s disappearance she needs to get them herself. Throughout her dogged pursuit Faith proves herself to be relentless and reckless. I struggled with her character at times. Even though I applauded her persistence, I felt that as an educated smart woman she made some really stupid decisions. When she started calling Carter after his accusations went live, I could have reached into the kindle and smacked her. I just felt like someone should have been there to knock some sense into her. But ultimately she chased down the leads that no one else would.
For a debut mystery novel, Seraphina Nova Glass does a fine job of introducing doubt into the cast of characters’s motives. She offers up many suspects to keep readers guessing. And I have to say, if a book gets you so invested in the character that you fell the need to intervene as you would on behalf of a friend that says a lot about the novel’s character development and relatability. I look forward to reading Seraphina Nova Glass’s next novel The Seduction which is scheduled to be released Summer 2021.
Meet the Author
Seraphina Nova Glass is a professor and Playwright-in-Residence at the University of Texas-Arlington, where she teaches Film Studies and Playwriting. She holds an MFA in playwriting from Smith College, and has optioned multiple screenplays to Hallmark and Lifetime. Someone’s Listening is her first novel.
Today I finished my sixth book for the challenge – Paris Never Leaves You – an historical fiction about a woman who survives the German occupation of Paris and flees to the United States with her young daughter.
I listened to portions of Alice Feeney’s His & Hers while doing laundry at 4 in the morning. No worries though. I had my headphones on. The whole house was snug as bugs.
I finished both His & Hers and The Death of Vivek Oji on Day 6.
Although I have not received my copy of Hieroglyphics yet I was pleasantly surprised to find a copy of Sisters in Hate by Seyward Darby at my door. Thanks goes out to Jess at Little, Brown and Company. Come back and check out my blog in a week or so for my review.
Question of the Day
How do you organize your books?
I organize my books mostly by genre with a special shelf for African literature. Within each genre the books are arranged alphabetically by last name of author. I have multiple cases and some are dedicated to specific topics. My “nightstand” shelf has science related books. Book series are bundled together above the mantel. Physical ARCs are on desk or dresser.
Where have you done the most productive reading?
Before COVID19 I would have said at Panera Bread, on the bus or while driving. These days I get the most reading done either listening to audiobooks while doing chores and inputing data or in bed curled up with my Kindle in my favorite blanket. (Yes, in all this heat. — I just turn the AC up higher!)
Although I started the day off really well by finishing off The Night Watchman, I was just really exhausted and suffering from migraines. So I only read 235 pages total.
The Night Watchman is my first Louise Erdrich. I read it for Camp TOB where it is going up against Kiley Reid’s Such a Fun Age. Although I gave both these books a 4 star rating if I had to cast my vote today The Night Watchman would edge out the competition. I feel that it had more depth and showed more emotion. I also felt more connected to Patrice than I did to either Emira or Alix.
So far Paris Never Leaves You is not grasping my attention but His & Hers is most definitely picking up. I am hoping by tomorrow to finish at least one of these for my sixth book.
“On the Road” is a short story from Nnedi Okorafor’s Kabu Kabu collection. Chioma is a visiting her family in Nigeria. Shortly after arriving the town is hit with torrential rains in which should have been their dry season. As soon as the rain stops you have this young man come to her door. His head is bashed in. Chioma can see the blood matter. For all intents and purposes this young man should not be alive. He should not be able to walk or talk. But there he is, the monster at her door. And she lets him in.
Over the next few days Chioma senses she is being followed. There is a strange odor wafting through her house and she seems to possess a strange magnetism for the town’s lizards. She has no idea what she has awoken or what fate awaits her. But the elders of the town seem to know something. As Chioma gets thinner and weaker the women of the village prepare for what’s to come.
Okorafor does a great job with the build up. She certainly had me anxious and it definitely did not help that I was reading this story at 3 am on a rainy day when the house and neighborhood were fast asleep. Like Binti, I found that I fell right into the story and the pages of this fantasy came to life. As with the majority of Okorafor’s work After the Rain is centered on African mythology.
For the most part the graphic novel is true to “On the Road” with a few departures for clarity’s sake. I loved the artwork by David Brame and found that his illustrations really do make the story leap off the page.
I am hoping that this is a superhero origin story and that there will be a spin off or sequel to After the Rain. My only complaint with the galley was that the font was very fine and pixelated. Had I not had a copy of Kabu Kabu to read, I would have been very upset as there was no way that I would have been able get the story with the little bit that I could read. As I’m sure this will be rectified by the final printing I am not deducting any stars from my rating.
A Good Marriage was our book club pick for the month of July. I listened to the audiobook version with Sarah Zimmerman, Karissa Vacker, and George Newbern as narrators. This book is told from multiple point of views: Amanda, our victim and Lizzie, a former federal prosecutor defending her first client, Amanda’s husband Zach. In between their accounts we are given grand jury depositions and investigative reports. These varying writing styles and perspectives add a layer of dimension to the novel and make its 400 pages go by that much faster. I found that A Good Marriage had plenty of twists and turns to keep me up through the night.
Watch an adaptation BEFORE reading the book that inspired it.
For this challenge I watched the theatre productions of Underground and The Mamalogues before I read this book of plays. Being plays the adaptations that I watched were pretty close to the original — although there is always another dimension added when actors throw themselves into a role. Between the two plays that I did watch I enjoyed Underground more because of the chemistry and dynamic between Marc Pouhe and Jeffery Da’Shade Johnson as Kyle and Mason.
In Underground, Thompson examines masculinity, power, protest and privilege. Kyle surprises “Dix” (Mason) when he shows up uninvited to his hideaway home in upstate New York. From the outset, I was skeptical about the purpose of his visit as Kyle went about furtively going through Mason’s things and taking pictures. He came off as a hustler and I was trying to figure out what game he was running. Slowly their past is revealed, as are Kyle’s motives, and Mason becomes more assertive. Having risen above poverty, he no longer feels that the Black male struggle is his fight. He fought. He won. He’s done.
Monroe is based in part on a real lynching that took place just outside the city of Monroe, Louisiana in 1919. George Bolden*, an illiterate man, was lynched after being accused of writing a letter to a white woman. The play opens up with a community viewing strange fruit hanging from a tree. We get to see the impact on the young man’s loved ones as they cope with the brutality of his death and the terror it instills. His sister Cherry cleaves to her religion while his best friend Clyde makes plans to escape the violence and Monroe.
Of the three plays The Mamalogues was the most humorous and lively. Here Thompson turns her lens onto Black single mothers with the aim of dispelling stereotypes and shedding light on issues of inter-sectionality. To this end, Thompson’s group of mature successful women hold conversations with the audience about traditional views on marriage, ageism, homosexuality, the school-to-prison pipeline, how to train your child to survive being called the N-word and other basics of “parenting while black and living in the age of anxiety”.
The common thread in all of these plays is the Black middle class. Thompson is particularly interested in the costs, as well as the benefits, of class ascension.
Everyone in Gladstone, Montana recognizes Edie as the smart, self-assured, beautiful wife to her high school sweetheart Dean. But they only see what they want to see. They don’t see the relentless pursuit of Edie by Dean’s twin brother, Roy. Or Dean’s crippling insecurity in the face of Roy’s calm, easy charm. Edie’s relationship with the Linderman brothers reverberates through the years: from her conventional start as a young bride; to her second marriage to an explosively jealous man with a daughter caught in the middle; to her attempts to protect a granddaughter who is pursued by two lecherous boys. But despite it all, Edie remains strong and independent, no matter how many times her past attempts to claw its way back into her life. Triumphant, engaging, and deeply perceptive, THE LIVES OF EDIE PRITCHARD weaves a complex portrait of a woman determined to live on her own terms.
The Lives of Edie Pritchard follows our heroine through three major periods of her life: during her twenties while she is married to her high school sweetheart, in the midst of her forties as she contemplates leaving her second marriage, and in her senior years as she tries to impart her wisdom to her granddaughter. Edie is an indelible character at any age and over the course of her lifetime we see how she holds onto her sense of self despite what others try to project on to her.
When I picked up this book I was curious how a man would handle the headspace of a woman. Would he understand the nuances of a woman navigating her way through a male dominated society? Would the novel address feminine sentiment in a way that was respectful and honest and true? Does Larry Watson get “it”? Although I do not think he entirely gets us, I did not find myself offended. Perhaps because I expected the book to be through a male lens, I was grateful that he showed her development over time. Watson’s writing is simply stated; cognizant of this woman’s singularity and sense of purpose.
One scene that really made an impression on me was where Edie is talking to Lauren and Roy about how girls in middle school perceive themselves and how their self esteem goes down just about the same time they start getting attention from boys. She asks them why they think this is the case and finally Roy has to admit that “It must be something about the way we look at you.”
This scene takes place when Edie is in her sixties and has come full circle. She has come to accept that people may have their own perceptions of you, that this sense of identity may be caused by false memory or long held views of what they think you should represent. But she is no longer bound to what other people need or want her to be.
When she was in her twenties an offhand comment from a little girl would have prompted her to examine her features and double check that she is not wearing too much makeup and contemplating her hairstyle. A plea to help make a car sale might have her unbuttoning her blouse. In each of these cases she self corrects, disgusted with herself for allowing others to impose their views on her.
By the time she reaches her forties she knows that with her beauty comes expectations from men — including her husband. Even though she wants change in her life, she does not want to forsake her identity to get it.
As a mature woman she is not only self aware, but she also has come to realize that we cannot control what others think of us:
“All of us are someone else in the eyes of others. And for all I know, maybe that other is as true, as real, as the person we believe we are. But the thing is, when you’re back home, you never have a chance to be someone other than who you were then. Even if you never were that person.”
Like Watson’s other novels The Lives of Edie Pritchard is reminiscent of place. Small town Americana comes alive in the form of Gladstone, Montana and is its own character in the book.
“It might not seem like much, this country. A few bare hills, each seeming to rise out of the shadow of the one behind it. Miles of empty prairie, and all of it, hill and plain, the color of paper left out in the sun. You might be out here alone someday with what you thought would be your life. And a gust of wind might blow your heart open like a screen door. And slam it just as fast.”
Meet the Author
Larry Watson is the author of several novels including MONTANA 1948, JUSTICE, WHITE CROSSES, and ORCHARD which have been optioned for film. LET HIM GO was made into a film starring Kevin Costner and Diane Lane and is due to be released this year. Watson’s fiction has been published in ten foreign editions, and has received prizes and awards from Milkweed Press, Friends of American Writers, Mountain and Plains Booksellers Association, Mountain and Plains Library Association, New York Public Library, Wisconsin Library Association, Critics’ Choice, and The High Plains Book Award. He and his wife Susan live in Kenosha, Wisconsin. They have two daughters, Elly and Amy, and two grandchildren, Theodore and Abigail.
Special thanks to Sara Winston from Algonquin Books for bringing this book to my attention.
What was the hardest challenge you’ve ever done for a read-a-thon?
My hardest challenge was to read a book about a podcast. At that time I had not heard of any books with podcasts in them although I did enjoy listening to Serial at work. In the end I read Six Stories by Matt Wesolowski which is comprised of six episodes in the manner of Serial. Each episode tells another character’s side of the story, removing layer by layer the mystery surrounding the death of Tom Jeffries.
I have since read several books with podcasts that I enjoy.
Two sisters – one dead, one missing – and a radio personality obsessed with finding her before it is too late. Sadie was one of the best reads for me in 2018. Since reading this book I started picking up Courtney Summers other titles and I have yet to be disappointed. If you would like to listen to the podcast “The Girls” featured in the novel just click the link.
Rachel Krall is the host of “Guilty or Not Guilty” a true crime podcast that asks the listener to be the judge. Her first season ended up in a conviction reversal for a man accused of rape. Now Rachel’s attention is focused on the high profile rape case of a rising star athlete bound for the Olympics. The small town of Neapolis is divided. Half believe the teenage girl. The other half feel as if she saw is trying to bring their golden son down. Either way no one really seems to want Rachel in town. That is besides the woman who has been surreptitiously leaving her notes about a death that occurred 25 years ago.
The Night Swim was a fast paced read that delved into society’s view on rape, consent and how we judge our victims and perpetrators.
This was my first completed book for Reading Rush 2020.
Read a book with a cover that matches the colour of your birthstone.
Although I have all of these awesome books on my physical shelf I am debating picking up a title from my NetGalley shelf as my feedback ration is hovering around 89-90%. So I might end up reading this one instead.
Ideally, my copy of Hieroglyphics will arrive so I can knock that out in time for my Blog Tour date July 31st.
Read a book that starts with the word “The”.
This is my most anticipated read of the year. I have been waiting for online classes to be over so I just sit down and marinate in it.
Read a book that inspired a movie you’ve already seen.
This might be easiest as I have already watched the movie and have a copy of the audiobook cued up on my phone. If I listen to it on my daily walks I can count it towards two prompts. This and a book read outside of house.
I received a copy of this ARC from NetGalley so if I am able to find videos of all three plays I can potentially knock out 7 ARCs during this year’s Reading Rush. Tonight I will be watching Underground.
Read the first book you touch.
This was the “first” book I requested on NetGalley on my current “Give Feedback” shelf.
Read a book completely outside of your home.
Either Blackkklansman or if I am to stick with clearing off my galley shelf I will be reading or should I say listening to Alice Feeney’s His & Hers using the new NetGalley Shelf app.
Read a book in a genre you’ve always wanted to read more of.
Besides being a horror fantasy book, Empire of Wild is the American debut of award winning author Cherie Dimaline.
Read a book that takes place on a different continent than where you live.
This historical fiction takes place in Paris during World War II.
I am super psyched for this year’s challenge and can’t wait to see what you guys are reading. My favorite part of Reading Rush is Twitter sprints. Hopefully I will see you all there.
Welcome to WWW Wednesday! This meme was created by Miz B formerly of shouldbereading and currently hosted by Sam at Taking on a World of Words. Just answer the three questions below and leave a link to your post in the comments for others to look at. No blog? No problem! Just leave a comment with your responses. Please, take some time to visit the other participants and see what others are reading. So, let’s get to it!
The Three Ws are:
What are you currently reading? What did you recently finish reading? What do you think you’ll read next?
My Current Read
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it’s not just the shape of their daily lives that is different as adults, it’s everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters’ storylines intersect?
Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Halfconsiders the lasting influence of the past as it shapes a person’s decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.
What I Just Read
The creeping horror of Paul Tremblay meets Tommy Orange’s There There in a dark novel of revenge, cultural identity, and the cost of breaking from tradition in this latest novel from the Jordan Peele of horror literature, Stephen Graham Jones.
Seamlessly blending classic horror and a dramatic narrative with sharp social commentary, The Only Good Indians follows four American Indian men after a disturbing event from their youth puts them in a desperate struggle for their lives. Tracked by an entity bent on revenge, these childhood friends are helpless as the culture and traditions they left behind catch up to them in a violent, vengeful way.
What I am Going to Read Next
She wrote the book on escaping a predator… Now one is coming for her.
Faith Finley has it all: she’s a talented psychologist with a flourishing career, a bestselling author and the host of a popular local radio program, Someone’s Listening, with Dr. Faith Finley. She’s married to the perfect man, Liam Finley, a respected food critic.
Until the night everything goes horribly wrong, and Faith’s life is shattered forever.
Liam is missing—gone without a trace—and the police are suspicious of everything Faith says. They either think she has something to hide, or that she’s lost her mind.
And then the notes begin to arrive. Notes that are ripped from Faith’s own book, the one that helps victims leave their abusers. Notes like “Lock your windows. Consider investing in a steel door.”
As the threats escalate, the mystery behind Liam’s disappearance intensifies. And Faith’s very life will depend on finding answers.
A powerful story of love, identity, and the price of fitting in or speaking out.
After her father’s death, Ruth Robb and her family transplant themselves in the summer of 1958 from New York City to Atlanta—the land of debutantes, sweet tea, and the Ku Klux Klan. In her new hometown, Ruth quickly figures out she can be Jewish or she can be popular, but she can’t be both. Eager to fit in with the blond girls in the “pastel posse,” Ruth decides to hide her religion. Before she knows it, she is falling for the handsome and charming Davis and sipping Cokes with him and his friends at the all-white, all-Christian Club.
Does it matter that Ruth’s mother makes her attend services at the local synagogue every week? Not as long as nobody outside her family knows the truth. At temple Ruth meets Max, who is serious and intense about the fight for social justice, and now she is caught between two worlds, two religions, and two boys. But when a violent hate crime brings the different parts of Ruth’s life into sharp conflict, she will have to choose between all she’s come to love about her new life and standing up for what she believes.
Thoughts on the Book
“The story may be set in the past, but it couldn’t be a more timely reminder that true courage comes not from fitting in, but from purposefully standing out . . . and that to find out who you really are, you have to first figure out what you’re not.” —Jodi Picoult, New York Times bestselling author of A Spark of Light and Small Great Things
“gorgeous story about a teenage girl finding her voice in the face of hate, heartbreak, and injustice” —Nova Ren Suma, #1 New York Times bestselling author of A Room Away from the Wolves
“Carlton captures the racism, anti-Semitism, and social interactions of the time and place with admirable nuance. The dialogue and setting are meticulously constructed, and readers will feel the humidity and tension rising with each chapter.” — Publisher’s Weekly; starred review
In the Neighborhood of True is a captivating novel based on the 1958 bombing of Hebrew Benevolent Congregation Temple. As Atlanta’s first official Jewish institution The Temple not only served as a beacon within the Jewish community, but under the leadership of Rabbi Jacob Rothschild it also was a center for social justice and the burgeoning civil rights movement.
Carlton manages to capture this fraughtful time through the eyes of a Jewish girl coming of age in the wake of her father’s death. Ruth is smitten with the debutante scene and the handsome young Davis Jefferson. She is warned by her grandmother that her Jewishness might set her apart from the in-crowd and so at first she “passes” for Christian. But as time goes by she realizes that her lies of omission are a wedge between her and true acceptance by her new friends. Ultimately, she must decide which side she wants to be on — somewhere “in the neighborhood of true” where no one knows who she really is — or on the side of truth and justice and doing what’s right.
“I grew up in San Francisco and its suburbs, went to college in Portland, Oregon and interned in the White House. From there, I got a master’s degree in journalism from Columbia University and worked in magazines—Self, Elle, Mademoiselle, and others. That may explain my perennial crush on polka dots, poodles, and vintage stores.
A while ago, my family moved to Atlanta where we became members of a temple not so very different from the one in In the Neighborhood of True. We were welcomed with a hearty “Shabbat shalom, y’all,” but the memories of what happened there still reverberated. Our younger daughter attended Sunday school in one of the classrooms that had been bombed decades before. And the hate has continued to echo. In 2017, in Charlottesville, Virginia, where our older daughter is in school, white nationalists brandished torches in front of Thomas Jefferson’s rotunda, yelling, “Jews will not replace us.” And then the next year in Pittsburgh, eleven congregants were shot during Saturday morning services. I watched the unfolding horror on TV news with my eighty-eight-year-old father, remembering the bat mitzvah the whole family had attended at a different synagogue nearby. As the names of the dead were read, I kept thinking that my dad could have been one of them. And then I thought, it could have been any of us—over and over, across decades and state lines.
These days, I teach writing at Boston University and write young adult novels about complicated girls in complicated times. My husband and I have moved our two amusing and good-natured daughters up and down the East Coast. We now live in Hanover, New Hampshire, where we think we’ll stay.”
I am so very grateful for Lia Ferrone and her continued support of this blog. Thank you so much for sending me such wonderful reads!
Detective team A.L. McKittridge and Rena Morgan are back on their beat after solving the brutal Baywood serial killings, but crime doesn’t rest for long in their small Wisconsin town. In book two of Beverly Long’s electrifying A.L. McKittridge series, NO ONE SAW (MIRA Mass Market Paperback; June 30, 2020; $7.99), a child seemingly vanishes from a day care into thin air and A.L. and Rena must race to bring her home before time runs out.
Baywood police department detective A.L. McKittridge is no stranger to tough cases, but when five-year-old Emma Whitman disappears from her day care, there isn’t a single shred of evidence to go on. There are no witnesses, no trace of where she might have gone. There’s only one thing A.L. and his partner, Rena Morgan, are sure of—somebody is lying.
With the clock ticking, A.L. and Rena discover their instincts are correct: all is not as it seems. The Whitmans are a family with many secrets, and A.L. and Rena must untangle a growing web of lies if they’re going to find the thread that leads them to Emma… before it’s too late.
No One Saw opens with the disappearance of a young girl from her daycare center. Her grandmother swears she handed her off to the teacher. Her teacher is adamant that young Emma Whitman never arrived at school. No one seems to have seen her. As far as Rena and A.L. can guess everyone is lying about something. Emma’s parents. Her grandmother. Her teacher. The principal. Everyone has something to hide. Are any of these secrets motive enough to kidnap a 5 year old in broad daylight? Will Morgan and McKittridge find Emma in time? The clock is ticking and the odds of finding her safe and alive diminish with each passing second.
My introduction to Beverly Long came with Ten Days Gone, the first book in this series. I was really taken by both Morgan and McKittridge as characters and loved their dynamic. So I was really excited when Lia Ferrone at Mira Books invited me onto this blog tour. Although the camaraderie and rapport between the two detectives is what brings me back to this series, I do not feel that it is necessary to read the books in order. Long gives enough background to convey the detectives’s relationship and personal lives. With her deft hand this information does not come across as redundant for those of us continuing with the series. All in all, both books are great police procedurals and will leave even the discerning reader satisfied.
Meet the Author
Beverly Long’s writing career has spanned more than two decades and twenty novels, including TEN DAYS GONE, the first book of her A.L. McKittridge series. She writes romantic suspense with sexy heroes and smart heroines. She can often be found with her laptop in a coffee shop with a cafe au lait and anything made with dark chocolate by her side.
Lex was taken–trafficked–and now she’s Poppy. Kept in a hotel with other girls, her old life is a distant memory. But when the girls are rescued, she doesn’t quite know how to be Lex again.
After she moves in with her aunt and uncle, for the first time in a long time, she knows what it is to feel truly safe. Except, she doesn’t trust it. Doesn’t trust her new home. Doesn’t trust her new friend. Doesn’t trust her new life. Instead she trusts what she shouldn’t because that’s what feels right. She doesn’t deserve good things.
But when she is sexually assaulted by her so-called boyfriend and his friends, Lex is forced to reckon with what happened to her and that just because she is used to it, doesn’t mean it is okay. She’s thrust into the limelight and realizes she has the power to help others. But first she’ll have to confront the monsters of her past with the help of her family, friends, and a new love.
Kate McLaughlin’s What Unbreakable Looks Like is a gritty, ultimately hopeful novel about human trafficking through the lens of a girl who has escaped the life and learned to trust, not only others, but in herself.
What Unbreakable Looks Like was a heart wrenching punch to the gut. The topic of this novel is human trafficking. McLaughlin shows how young girls are sometimes seduced into bondage. “Mitch was there for me when no one else was. He took care of me. He sold me. Beat me. Told me I was beautiful and said I was an ugly bitch. He said he loved me . . . ” I cried when I read these words. I cried knowing that there are girls out there living in dysfunctional homes who are willing to accept this kind of “love” any kind of love. That they do not know their worth and have been neglected to the point that any attention is good attention. But McLaughlin also shows here that anybody can be trafficked and that this is happening right in our backyards in small town America. These men are predators; highly manipulative and skilled at grooming the young and impressionable. They have long arms and a lot of money backing these enterprises. In the book McLaughlin uses the website Stall313 to shine light on the real life fight to end online human trafficking. I have not been able to watch the documentary I am Jane Doe that inspired this book but I have viewed an interview with its director Mary Mazzio. I was utterly shocked by how deep this went and the responses of some politicians and judges. I found it frustrating that Backpage.com and other websites like it are able to use Section 230 as a legislative loophole to get around their complicity in human trafficking.
Meet the Author
KATE McLAUGHLIN likes people, so much so that she spends her days making up her own. She likes writing about characters who are bent, but not broken – people who find their internal strength through friends, strife and sometimes humor. When she’s not writing, she likes studying people, both real and fictional. She also likes playing board games with friends, talking and discovering new music. A proud Nova Scotian, she’ll gladly tell you all about the highest tides in the world, the magical creation known as a donair, and people who have sofas in their kitchens. Currently, she lives in Connecticut with her husband and four cats. She’s the author of What Unbreakable Looks Like.
Hello Everyone! Welcome to my blog! First I would like to thank Justine Sha for inviting me on this blog tour. Red Sky Over Hawaii is what I consider a comfort read. With a take home message about living in the moment and believing in magic it certainly warmed my heart.
I would recommend this book to anyone who likes happily-ever-afters and found families.
For fans of Chanel Cleeton and Beatriz Williams, RED SKY OVER HAWAII is historical women’s fiction set in the islands during WWII. It’s the story of a woman who has to put her safety and her heart on the line when she becomes the unexpected guardian of a misfit group and decides to hide with them in a secret home in the forest on Kilauea Volcano.
The attack on Pearl Harbor changes everything for Lana Hitchcock. Arriving home on the Big Island too late to reconcile with her estranged father, all she can do is untangle the clues of his legacy, which lead to a secret property in the forest on Kilauea Volcano. America has been drawn into WWII, and amid rumors of impending invasion, the army places the islands under martial law. When they start taking away neighbors as possible sympathizers, Lana finds herself suddenly guardian to two girls, as well as accomplice to an old family friend who is Japanese, along with his son. In a heartbeat, she makes the decision to go into hiding with them all.
The hideaway house is not what Lana expected, revealing its secrets slowly, and things become even more complicated by the interest of Major Grant Bailey, a soldier from the nearby internment camp. Lana is drawn to him, too, but needs to protect her little group. With a little help from the magic on the volcano, Lana finds she can open her bruised heart to the children–and maybe to Grant.
A lush and evocative novel about doing what is right against the odds, following your heart, and what makes a family.
About the Author
Sara Ackerman is the USA Today bestselling author of The Lieutenant’s Nurse and Island of Sweet Pies and Soldiers. Born and raised in Hawaii, she studied journalism and earned graduate degrees in psychology and Chinese medicine. She blames Hawaii for her addiction to writing, and sees no end to its untapped stories. When she’s not writing or teaching, you’ll find her in the mountains or in the ocean. She currently lives on the Big Island with her boyfriend and a houseful of bossy animals. Find out more about Sara and her books at http://www.ackermanbooks.com and follow her on Instagram @saraackermanbooks and on FB @ackermanbooks.
THE ROAD December 8, 1941
WITH EVERY MILE CLOSER TO VOLCANO, THE FOG thickened, until they were driving through a forest of white gauze with the occasional branch showing through. Lana considered turning the truck around no less than forty-six times. Going back to Hilo would have been the prudent thing to do, but this was not a time for prudence. Of that she was sure. She slowed the Chevy to a crawl and checked the rearview mirror. The cage with the geese was now invisible, and she could barely make out the dog’s big black spots.
Maybe the fog would be to their advantage. “I don’t like it here at all,” said Coco, who was smashed up next to Lana, scrawny arms folded in protest. The child had to almost yell to be heard above the chug of the motor.
Lana grabbed a blanket from the floor. “Put this over you. It should help.” Coco shook her head. “I’m not cold. I want to go home. Can you please take us back?”
Goose bumps had formed up and down her limbs, but she was so stubborn that she had refused to put on a jacket. True, Hilo was insufferably hot, but where they were headed—four thousand feet up the mountain—the air was cold and damp and flimsy.
It had been over ten years since Lana had set foot at Kı¯lauea. Never would she have guessed to be returning under these circumstances. Marie chimed in. “We can’t go back now, sis. And anyway, there’s no one to go back to at the moment.”
Poor Coco trembled. Lana wished she could hug the girl and tell her everything was going to be okay. But that would be a lie. Things were liable to get a whole lot worse before they got any better.
“Sorry, honey. I wish things were different, but right now you two are my priority. Once we get to the house, we can make a plan,” Lana said. “But you don’t even know where it is,” Coco whined. “I have a good idea.” More like a vague notion.
“What if we don’t find it by dark? Are they going to shoot us?” Coco said. Marie put her arm around Coco and pulled her in. “Turn off that little overactive imagination of yours. No one is going to shoot us,” she said, but threw a questioning glance Lana’s way. “We’ll be fine,” Lana said, wishing she believed that.
The girls were not the real problem here. Of greater concern was what they had hidden in the back of the truck. Curfew was six o’clock, but people had been ordered to stay off the roads unless their travel was essential to the war. Lana hadn’t told the girls that. Driving up here was a huge risk, but she had invented a story she hoped and prayed would let them get through if anyone stopped them. The thought of a checkpoint caused her palms to break out in sweat, despite the icy air blowing in through the cracks in the floorboard.
On a good day, the road from Hilo to Volcano would take about an hour and a half. Today was not a good day. Every so often they hit a rut the size of a whiskey barrel that bounced her head straight into the roof. The continuous drizzle of the rain forest had undermined all attempts at smooth roads here. At times the ride was reminiscent of the plane ride from Honolulu. Exactly two days ago, but felt more like a lifetime.
Lana’s main worry was what they would encounter once in the vicinity of the national park entrance. With the Kı¯lauea military camp nearby, there were bound to be soldiers and roadblocks in the area. She had so many questions for her father and felt a mixed ache of sadness and resentment that he was not here to answer them. How were you so sure the Japanese were coming? Why the volcano, of all places? How are we going to survive up here? Why didn’t you call me sooner?
Coco seemed to settle down, leaning her nut-brown ringlets against her sister’s shoulder and closing her eyes. There was something comforting in the roar of the engine and the jostle of the truck.
With the whiteout it was hard to tell where they were, but by all estimates they should be arriving soon. Lana was dreaming of a cup of hot coffee when Coco sat upright and said, “I have to go tinkle.” “Tinkle?” Lana asked. Marie said, “She means she has to go to the bathroom.”
They drove until they found a grassy shoulder, and Lana pulled the truck aside, though they could have stopped in the middle of the road. They had met only one other vehicle the whole way, a police car that fortunately had passed by.
The rain had let up, and they all climbed out. It was like walking through a cloud, and the air smelled metallic and faintly lemony from the eucalyptus that lined the road. Lana went to check on Sailor. The dog stood up and whined, yanking on the rope around her neck, straining to be pet. Poor thing was drenched and shaking. Lana had wanted to leave her behind with a neighbor, but Coco had put up such a fuss, throwing herself onto her bed and wailing and punching the pillow, that Lana relented. Caring for the girls would be hard enough, but a hundred-and-twenty-pound dog?
“Just a bathroom stop. Is everyone okay back here?” she asked in a hushed voice. Two low grunts came from under the tarp. “We should be there soon. Remember, be still and don’t make a sound if we stop again.”
As if on cue, one of the hidden passengers started a coughing fit, shaking the whole tarp. She wondered how wise it was to subject him to this long and chilly ride, and if it might be the death of him. But the alternative was worse.
“Deep breaths…you can do it,” Lana said. Coco showed up and hopped onto the back tire. “I think we should put Sailor inside with us. She looks miserable.”
“Whose lap do you propose she sits on?” Lana said. Sailor was as tall as a small horse, but half as wide. “I can sit in the back of the truck and she can come up here, then,” Coco said in all seriousness. “Not in those clothes you won’t. We don’t need you catching pneumonia on us.”
They started off again, and ten seconds down the road, Sailor started howling at the top of her lungs. Lana felt herself on the verge of unraveling. The last thing they needed was one extra ounce of attention. The whole idea of coming up here was preposterous when she thought about it. At the time it had seemed like a good idea, but now she wondered at her sanity.
“What is wrong with that dog?” Lana said, annoyed. Coco turned around, and Lana felt her hot breath against her arm. In the smallest of voices, she said, “Sailor is scared.” Lana felt her heart crack. “Oh, honey, we’re all a bit scared. It’s perfectly normal under the circumstances. But I promise you this—I will do everything in my power to keep you out of harm’s way.” “But you hardly know us,” Coco said. “My father knew you, and you knew him, right?” Lana said. “And remember, if anyone asks, we tell them our story.”
They had rehearsed it many times already, but with kids one could never be sure. Not that Lana had much experience with kids. With none of her own and no nieces or nephews in the islands, she felt the lack palpably, smack in the center of her chest. There had been a time when she saw children in her future, but that dream had come and gone and left her sitting on the curb with a jarful of tears.
Her mind immediately went to Buck. Strange how your future with a person could veer so far off course from how you’d originally pictured it. How the one person you swore you would have and hold could end up wreaking havoc on your heart instead. She blinked the thought away.
As they neared Volcano, the fog remained like a curtain, but the air around them brightened.
Lana knew from all her time up here as a young girl that the trees got smaller as the elevation rose, and the terrain changed from towering eucalyptus and fields of yellow-and-white ginger to a more cindery terrain covered with red-blossomed ‘ohi‘a trees, and prehistoriclooking ha¯pu’u ferns and the crawling uluhe. At one time in her life, this had been one of her happiest places. Coco reached for the letter on the dashboard and began reading it for the fourth time. “Coco Hitchcock. It sounds funny.” The paper was already getting worn.
Marie swiped it out of her hands. “You’re going to ruin that. Give it to me.” Where Coco was whip thin and dark and spirited—a nice way of putting it—Marie was blonde and full-bodied and sweet as coconut taffy. But Lana could tell even Marie’s patience was wearing thin.
“Mrs. Hitchcock said we need to memorize our new names or we’ll be shot.” Lana said as calmly as she could, “I never said anything of the sort. And, Coco, you have to get used to calling me Aunt Lana for now. Both of you do.” “And stop talking about getting shot,” Marie added, rolling her eyes. If they could all just hold it together a little bit longer.
There was sweat pooling between her breasts and behind her kneecaps. Lying was not her strong suit, and she was hoping that, by some strange miracle, they could sail on through without anyone stopping them. She rolled her window down a couple of inches for a burst of fresh air. “We’re just about here. So if we get stopped, let me do the talking. Speak only if someone asks you a direct question, okay?”
Neither girl said anything; they both just nodded. Lana could almost see the fear condensing on the windshield. And pretty soon little Coco started sniffling. Lana would have said something to comfort her, but her mind was void of words. Next the sniffles turned into heaving sobs big enough to break the poor girl in half. Marie rubbed her hand up and down Coco’s back in a warm, smooth circle.
“You can cry when we get there, but no tears now,” she said. Tears and snot were smeared across Coco’s face in one big shiny layer. “But they might kill Mama and Papa.” Her face was pinched and twisted into such anguish that Lana had to fight back a sob of her own.
Hello Everyone and welcome to my stop on Lisa Braxton’s blog tour for The Talking Drum. Special thanks goes out to her publicist Laura Marie for getting this book into my hands. Here is where you can get your copy now:
In 1971, the fictional city of Bellport, Massachusetts is in decline with an urban redevelopment project on the horizon. The project promises to transform the dying factory town into a thriving economic center, with a profound effect on its residents. Sydney Stallworth steps away her law degree in order to support her husband Malachi’s dream of opening a cultural center and bookstore in the heart of their black community, Liberty Hill. Across the street, Della Tolliver has built a fragile sanctuary for herself, boyfriend Kwamé Rodriguez, and daughter Jasmine, a troubled child prone to frequent outbursts.
Six blocks away and across the Bellport River Bridge lies Petite Africa, a lively neighborhood, where time moves slower and residents spill from run-down buildings onto the streets. Here Omar Bassari, an immigrant from Senegal known to locals as Drummer Man, dreams of being the next Duke Ellington, spreading his love of music and African culture across the world, even as his marriage crumbles around him and his neighborhood goes up in flames. An arsonist is on the loose. As more buildings burn, the communities are joined together and ripped apart. In Petite Africa, a struggling community fights for their homes, businesses, and culture. In Liberty Hill, others see opportunity and economic growth. As the pace of the suspicious fires pick up, the demolition date moves closer, and plans for gentrification are laid out, the residents find themselves at odds with a political system manipulating their lives. “It’s a shame,” says Malachi, after a charged city council meeting, where residents of Petite Africa and Liberty Hill sit on opposing sides. “We do so much for Petite Africa. But still, we fight.”
Meet the Author
Lisa Braxton is an Emmy-nominated former television journalist, an essayist, short story writer, and novelist. She is a fellow of the Kimbilio Fiction Writers Program and was a finalist in the William Faulkner-William Wisdom Creative Writing Competition. She earned her MFA in creative writing from Southern New Hampshire University, her M.S. in journalism from Northwestern University, and her B.A. in Mass Media from Hampton University. Her stories have been published in anthologies and literary journals. She lives in the Boston, Massachusetts area.
Interview with Lisa Braxton
Q: The Talking Drum draws a lot from your own personal experience. I was curious when was the first time you saw yourself reflected back in a book?
A: Actually, I did not see myself reflected in any of the books I was reading while I was growing up. I grew up reading The Nancy Drew mysteries, The Hollister Family, The Bobbsey Twins, Louisa May Alcott’s Little Women, Harriet the Spy, Charlotte’s Web and many others. I loved these books. They helped to grow my love for reading and my desire to become a writer, but they didn’t reflect the world of a middle class African American girl growing up in the 1960s and 1970s enrolled at a parochial elementary school. I continue to be a voracious reader, but I still have not come across books that I can really identify with. I believe that’s helped to fuel my interest in writing about the kinds of African American characters that aren’t often seen in print.
Q: In your book The Talking Drum it focuses on a neighborhood called Petite Africa and there are three central couples within the story. I know that you developed this book around your parents experience with redevelopment and gentrification. Which of the three couples would you say is most like your parents?
A: Sydney and Malachi are most like my parents. Sydney has agreed to leave her law studies to support Malachi’s dream to open up a business in his hometown, Bellport. Sydney feels torn between finishing her studies and supporting what her husband wants to do. She’s trying to find her voice in the marriage. It may take her a while to learn how to assert herself.
When my father was a child her operated a little store in his neighborhood in a rural area of Virginia. Back then retail establishments were closed weekends. He’d buy candy and other items during the week and increase the price and sell those items on the weekend when they were impossible to get elsewhere. He loved retail. His dream was to operate a store when he became an adult. In 1969 when my parents were in their 30s, they opened a men’s clothing store in an urban area of Bridgeport, Connecticut. My mother wasn’t too thrilled with the idea, but it was something my father wanted to do. She decided to support his dream. She also at one time considered law school.
Q: Who is your favorite author andwhy?
A: Langston Hughes. I love his fiction. His writing has the ability to make me feel a range of emotions. Some of his short fiction was so touching that I would start crying while I was reading.
Q: What was the last book that thoroughly moved you? What was it about that book that spoke to your spirit and your heart?
A: The Street, by Ann Petry was the last book that thoroughly moved me. I had not experienced what Petry’s main character, Lutie Johnson went through, but from the beginning I understood what was at stake for Lutie. She wanted to provide a good and safe home for her son and become more upwardly mobile. Whenever a female character is striving for better, whetherdepicted in a movie or book, I’m there with the character urging them on. I know what it’s like to have ambition that you feel so strongly that you won’t let anything or anyone stop you. Petry’s novel had me on the edge of my seat as a read through pages that were filled with suspense and tension. All the while I was hoping for the character Lutie Johnson to beat the odds.
Q: I read in an article that your first short story Kitchen Fan is about your uncle. Would you say that all of your books are written based on people who are close to you? What else inspires your writing?
A: Usually the characters in my stories are composites, not based on anyone in particular. I find that I can develop the characters with more depth if I don’t base them on someone I know. I think I would feel self-conscious and want to be too polite as I developed a character if I based the individual on a real person. The veiled fiction about my uncle was an exception. I’m often inspired by situations. In the early stages of The Talking Drum I began developing the themes of urban redevelopment and gentrification. I know of at least a dozen people, including my parents who have been affected by those issues.
Q: How old were you when you first started writing?
A: Probably 10 or 11. I say that because I remember writing little stories and my sister, who is 6 years younger than me, enjoying them. She would have to have been at least 4 or so to understand what I was writing about. I’d write about dogs, horses, and other animals. I even personified a wall, giving it a personality and dialogue. My parents always gave me positive feedback, which encouraged me to keep at it.
First of all I would like to thank Lia Ferrone at Harlequin Trade Publishing for inviting me on to this blog tour. This is How I Lied was a thrilling page turner that kept me up all night.
With the eccentricity of Fargo and the intensity of Sadie, THIS IS HOW I LIED by Heather Gudenkauf (Park Row Books; May 12, 2020; $17.99) is a timely and gripping thriller about careless violence we can inflict on those we love, and the lengths we will go to make it right, even 25 years later.
Tough as nails and seven months pregnant, Detective Maggie Kennedy-O’Keefe of Grotto PD, is dreading going on desk duty before having the baby her and her husband so badly want. But when new evidence is found in the 25-year-old cold case of her best friend’s murder that requires the work of a desk jockey, Maggie jumps at the opportunity to be the one who finally puts Eve Knox’s case to rest.
Maggie has her work cut out for her. Everyone close to Eve is a suspect. There’s Nola, Eve’s little sister who’s always been a little… off; Nick, Eve’s ex-boyfriend with a vicious temper; a Schwinn riding drifter who blew in and out of Grotto; even Maggie’s husband Sean, who may have known more about Eve’s last day than he’s letting on. As Maggie continues to investigate, the case comes closer and closer to home, forcing her to confront her own demons before she can find justice for Eve.
I’ve been having trouble concentrating lately. How to entertain my children while stay at home orders are in place. The uncertainty of our household finances as our jobs take on different dimensions. The fear of what will be waiting for us on the other side of this pandemic – what world we will be stepping out into. I say this to say that as a bibliophile reading is usually my therapy, my escape from the travails of life. Recently I find that most books haven’t been able to clear the clouds that are in my head. But Heather Gudenkauf’s This is How I Lied was able to transport me to another place. For a moment (or a fast-paced thrilling day), I had a reprieve. My mind was in small town Grotto with pregnant deputy Maggie Kennedy- O’Keefe.
New evidence has popped up in the murder case of her best friend Eve Knox. Maggie’s emotions surrounding the case are further compounded by the fact that it was she who discovered the body 25 years ago. This was a bit of a sticking point for me. I had some trouble suspending disbelief here because we all know in real life this wouldn’t happen. Maggie was too involved with the victim and too involved with the case to be considered for the assignment. But let’s face it the real world sucks right now so I’m down for making exceptions. If you think that Maggie is intriguing, wait until you meet Eve’s baby sister Nora. She is a nut I’m sure you would like to crack. Her character adds many suspenseful moments and plenty of twists and turns. I wonder if she will pop up in any of Gudenkauf’s future work. I certainly would read anything with her in it.
Meet the Author
Heather Gudenkauf is the New York Times and USA Today bestselling author of many books, including The Weight of Silence and These Things Hidden. Heather graduated from the University of Iowa with a degree in elementary education, has spent her career working with students of all ages. She lives in Iowa with her husband, three children, and a very spoiled German Shorthaired Pointer named Lolo. In her free time, Heather enjoys spending time with her family, reading, hiking, and running.
Welcome Everyone to my stop on The Final Deception Blog Tour. Thank you so much Lia Ferrone at Harlequin – Mira Books for inviting me to this Blog Tour! The Final Deception has been a welcomed and exhilarating escape from quarantined life.
Witness the thrilling conclusion to the beloved New York Confidential series, in THE FINAL DECEPTION (MIRA Books; March 31, 2020; $26.99). Kieran and Craig are about to take on their most chilling case yet as they hunt for a deranged serial killer who has escaped from prison to satisfy his need to kill again.
When criminal psychologist Kieran Finnegan was released from her responsibility of counseling the brutal serial killer known as The Fireman, once he was incarcerated, she was relieved to escape the tendrils of his twisted inner world. The chill she received from her sessions with him has stayed with her despite trying to leave him in the past. However, some demons refuse to remain behind bars. When her FBI agent boyfriend Craig is called to a gruesome crime scene that matches The Fireman’s MO, news begins to spread that he’s escaped from prison.
And he remembers Kieran…
Amid a citywide manhunt, Kieran and Craig need to untangle a web of deceit, privilege, and greed. They suspect that those closest to the killer have been drawn into his evil, or else someone is using another man’s madness and cruelty to disguise their crimes. When their investigation brings the danger right to the doorstep to the once safe haven of Finnegan’s Pub, Kieran and Craig will have to be smarter and bolder than ever before, because this time it’s personal, and they have everything to lose.
About the Author
Heather Graham is The New York Times and USA Today best-selling author sold her first book, When Next We Love, in 1982 and since then, she has written over two hundred novels and novellas with about 60 million books in print in categories of romantic suspense, historical romance, vampire fiction, time travel, occult, and Christmas holiday fare. Graham earned high praise for her New York Confidential series, including a starred review from Library Journal which called it, “Intricate, fast-paced, and intense, this riveting thriller blends romance and suspense in perfect combination and keeps readers guessing and the tension taut until the very end.”
CRAIG FRASIER BREATHED IT IN BEFORE HE COULD STOP himself; the bloodcurdling scent of burning flesh.
Flames still skittered over the body—an accelerant had been used. As he stood there in the small dark alley, he heard others rushing in: Mike Dalton, his partner, and patrol officers. He heard the sirens; the fire department was coming.
But there was no saving this victim.
Craig was already tamping the fire out; an extinguisher would make the work of the medical examiner more difficult.
But he knew what the medical examiner would find.
The victim had been strangled, then the tongue had been cut out. And then the eyes had been gouged out. Death had occurred, mercifully, before the fire had been set.
The corpses haunted his dreams. Burned shells, some flesh and soft tissue remaining, charred and clinging to the bones, mummy-like. The mouth in the blackened skull was agape, and those empty, soulless eye sockets seemed to be staring up, as if they could still see, as if they stared at him in reproach…
Why hadn’t they caught the killer sooner?
He heard a rustling sound. Looking across the alley, Craig saw a shadow moving. Leaving the corpse to others, he took off like a bullet. He pursued the moving shadow at a run…running and running for blocks. The city was a blur around him.
He reached apartments on Madison, with a coffee shop and a dress store on the first floor, just as the gate at the street entry to the residential units above was closing. He caught the gate, and he reached the elevator in time to see what floor it stopped on. He followed.
And again, as he arrived, a door was just closing; he didn’t let it close.
And there he was: the Fireman, still smelling faintly of gasoline, ready to sit down to a lovely dinner with his family. About to say a prayer before the meal…just a husband and a father, and a man who looked at Craig and calmly said, “So, my work is over. But I have obeyed the commandments given me, and I will go with you.”
Why did you take so long? The corpse again! In Craig’s dreams, the corpse was back, animated, flying at him like a ghostly banshee, issuing a silent scream.
Craig opened his eyes.
He didn’t awake screaming or startled—he didn’t jerk up. It was almost as if he always knew it was a dream, reliving the day the Fireman had gone down.
He’d had the dream several times before. But, now, it seemed as though it had been a long time. Weeks. He’d thought he’d ceased experiencing it altogether. He’d been doing all the right things: quietly seeing a Bureau shrink a few times, following their advice. He hadn’t told Kieran Finnegan, his fiancée, about his recurring nightmare, and while she was a criminal psychologist working with two of the city’s finest criminal psychiatrists, he’d made a point of not telling her or her bosses.
He’d thought he’d settled it on his own. It was a little strange and sometimes intimidating being in love with someone who studied the human psyche, and he hadn’t wanted Kieran worried about him or trying to analyze him.
Why the hell had the dream come back?
He felt Kieran shift against him. He pulled her into his arms and she rolled, crystal eyes opening wide when she realized that he was awake.
And aroused. Kieran’s tangle of auburn hair was a wild mass around her face, emphasizing her eyes and the quick smile that came to her lips.
“Ah!” she murmured, feeling his arousal against her.
“Your fault,” he accused.
“Well, thankfully. What time is it?” she asked with a soft whisper.
He laughed. “Quickie time, or time for a quickie,” he said.
Her smile deepened, and there was something so sensual about it that it never failed to increase whatever he had begun to feel.
In her arms, in the liquid burn of kisses here and there strategically placed, in the swift—and intense—blaze of arching and writhing and thrusting, all else faded.
After, Craig headed for the shower. He was an FBI agent in the Criminal Division of New York City’s branch of the FBI. He could be satisfied in having brought down several killers. But there would be more; a sad fact of the world and humanity. He was blessed to have his job, his vocation, and it was time to go to work.
He shoved the dream into the back of his mind.
Whatever his day held, he’d already seen the worst that this world could offer.
For months, Doctor Rowan Dupont has been staring death in the face. It followed her back to her hometown of Winchester, Tennessee, ten months ago, cloaking the walls of her family’s Victorian funeral home like a shroud. In investigating the mysterious deaths of her loved ones, Rowan has unearthed enough family secrets to bury everything she’d previously thought true. But each shocking discovery has only led to more bodies and more questions; the rabbit hole is deeper than she ever imagined.
Despite settling in to a comfortable life with Police Chief Billy Brannigan, Rowan knows dangerous serial killer Julian Addington is still out there. She can’t let her guard down now. Not when she’s this close to ending it once and for all. But with a storm brewing on the horizon, she’ll get only one shot before the impending darkness takes hold, threatening to wipe away every truth she’s uncovered—and everything she holds dear.
The Darkness We Hide is the rousing conclusion to The Undertaker’s Daughter series. Believe it or not my first foray into Rowan Dupont’s sinister world of serial killers was The Lies We Tell last summer. Although it is the third book in the series I felt drawn to Rowan’s character. I found the mystery of her past to be as intriguing as her current dilemma. So much so that I jumped on the chance to get this book and have spent my time in quarantine curled up with this series. Yes I read them all within the last week. I did not want to miss a beat when it came to uncovering Norah’s darkest secrets or discovering what made a psychopath like Julian Addington tick.
I must admit that I usually shy away from romance. However, Webb draws a connection between Rowan and Billy that is deep and abiding. It is a believable love story. One that is selfless and formed out of friendship. Although this is the last installment of this series, readers can look forward to more adventures set in Winchester with Webb’s forthcoming novel Before He Vanished.
Special thanks to Lia Ferrone at Harlequin- MIRA Books for sending this galley my way.
Meet the Author:
Debra Webbis the award-winning, USA Today bestselling author of more than 130 novels, including reader favorites the Faces of Evil, the Colby Agency, and the Shades ofDeath series. With more than four million books sold in numerous languages and countries, Debra’s love of storytelling goes back to her childhood on a farm in Alabama.